More than any writer before him, Adam Nayman cuts to the heart of the moral queasiness that abounds in Fincher’s work.
Nayman’s discussion of Anderson’s ellipses implicitly cuts to the heart of why some critics and audiences resist Anderson’s work.
Has the time come to ask if the pendulum has swung too far in the other direction?
A Mysterious World might be the most auteur-y object to emerge from the festival’s “City to City” Buenos Aires-themed program.
For every project finished there are numerous others abandoned or left incomplete.
We took the time to chat about Guy Maddin, with both Vadim and Andrew giving us their thoughts on My Winnipeg.