Mahershala Ali, still fresh off his prior win in this category, performs utter miracles with the role of jazz pianist Dr. Don Shirley.
This disc is barebones, so Spike Lee fans will have settle for a solid transfer of the film itself when relishing this fo’ real, fo’ real shit at home.
The film registers an awareness for the narcotic qualities of cinema, particularly films that address matters of race.
The Last Jedi is largely content to further the themes and narrative strategies of J.J. Abrams’s predecessor.
Steven Soderbergh’s bracingly playful return to cinema is accorded a stunning transfer and little else, though the film itself is more than enough.
This is a cunning and frequently hilarious film about exhuming the past and finding no diamond in the rough.
Steven Soderbergh’s Logan Lucky is an ensemble comedy that’s simultaneously effervescent and cerebral.
Martin Scorsese crafts a versatile, multifaceted work that encourages serious reflection and contemplation.
“I pray but I’m lost, am I just praying to silence?”
Paterson’s sunny aesthetic and disposition marks a stylistic departure for writer-director Jim Jarmusch.