Review: Maggie

Its only claim to uniqueness becomes running the standard zombie narrative through a Hallmark-card filter.

Review: Ender’s Game

Gavin Hood relays a vague sense of what it’s like to live in duty, and yet at a distance from one’s home, but this vision of the future never rouses, never asks to be remembered.

Review: Haunter

Vincenzo Natali emphasizes technically impressive shots in the service of predictable, boring expository beats.

Oscar 2012 Winner Predictions: Picture

That the Best Picture category’s “Will it be six or will it be seven?” question was settled as close to 10 as possible without actually being 10 isn’t merely a mark of how much of a mess this year’s Oscars are.

Review: Janie Jones

Despite its panoply of clichés, the film does work up some goodwill once you accept it on its almost defiantly generic, low-stakes terms.

Review: Rango

Rango turns an assembly line of classic western themes and iconography into a bustlingly fresh genre ecosystem.