Criterion brings startling clarity to every telling movement and gesticulation, even if the package is light on contextual supplements.
The long love scenes between Emma and Adèle have garnered a lot of attention in discussions of Blue Is the Warmest Color.
Abdellatif Kechiche is a rhythm man, building the novelistically lyrical realism of his movies with the trickiest of notes.
The Telluride Film Festival is the home away from home for cinephiles the world over.
Raúl Ruiz’s Mysteries of Lisbon is a film of exquisite elegance.
The film’s rendering of period sets and costumes with cruddy camerawork makes us aware that the film is a limited dramatic representation
If there is a thread running through some of this year’s festival, it is the acceptance of the enigmatic in human beings.
As much about see-food as seafood, The Secret of the Grain is as close to a contemporary fable as we have.
The film is a surreptitious creation myth crafted to inspire pride in even the most diverse and elusive of ethnic identities.
To simply label Sorry, Haters misguided or preposterous is to undersell its out-of-its-gourd daffiness.
Abdellatif Kechiche’s film scarcely starves for intensity.