The trailer for White Reindeer doesn’t seem to feature any cocaine use, but it might as well.
What’s troubling about this picture of education (as remembering) is that it sounds like nothing new was built, that to learn is not to create.
We’re back again with our official “Best Introductory Segway Ever” and return guest Mike D’Angelo.
Desplechin’s familial trauma is constant, but his art is for himself.
Blindness feels less like a metaphor for urban isolation than just a zombie movie in which the zombies decided not to show up.
After the disappointment of Blindness on day one, I enter day two ready to make the most of my time here in Cannes.