As to whether 3D is a marker of quality or cultural ruin is growing increasingly beside the point.
Goodbye to Language sees Godard make the leap to 3D with jaw-dropping results.
Aside from the ethics of 3D, it’s undeniable that Catching Fire will be at an economic disadvantage without it, losing as much as $4 per ticket in some cases.
I’m so thankful I moved in time to take in the indelible shot of Sandra Bullock floating in an embryonic state.
There are many, many articles railing against 3D: picture is too dim, glasses are uncomfortable, provide a distancing rather than immersive effect, and so on.
If there’s anything that can excite an impassioned debate among film fans, it’s the topic of 3D.
This season presents two Oscar contenders, Hugo and The Artist, that both bask in the dreaminess of cinema’s early days.
Here is a breezy, old-school horror romp which gets a surprising amount of mileage from the usual genre standbys.