TV better than movies? Not really, but at least television will let you see Michael Douglas stroking Matt Damon’s leg hair.
If you’ve followed the Up documentary series, you know that it catches up with a cross-section of Britishers every seven years.
Dammit, I’m not crying, I just got a Teamster sandwich in my eye.
With its rapid one-liners often coming in at under 140 characters, 30 Rock is the perfect comedy for our time.
Ahh, it came back and nearly all was right with the world.
Understanding Screenwriting #72: Of Gods and Men, Rango, Uncle Boonmee Who Can Recall His Past Lives, & More
Religion is a very difficult subject to make a film about.
Carlos is the exception that proves the rule.
Understanding Screenwriting #60: Boardwalk Empire, How I Met Your Mother, Castle, & More
Mommy, do I have to watch this?
Will Emmy finally and mercifully annul its relationship to 30 Rock?
Understanding Screenwriting #38: Precious, The Princess and the Frog, Me and Orson Welles, & More
The process of education has begun, which is what the film is going to be about.
And now, let’s see who I can piss off this time.
I started out 2008 as a paid TV critic with a happily stable and sedate personal life that rarely edged into something all that exciting.
The critics hated, hated, HATED this movie. And it was number one at the box office two weeks in a row. With good reason.
Understanding Screenwriting #11: Changeling, I’ve Loved You So Long, Zack and Miri Make a Porno, ER, & More
The flaw in Clint Eastwood’s iris.
Understanding Screenwriting #10: Synecdoche, New York, Nick and Norah’s Infinite Playlist, & More
Charlie Kaufman makes the basic rookie mistake most people do when they direct their first feature.
Here are our predictions for how 10 races are going to shake down on Sunday.
The episodes are structured around broad screwball plots in which Fey is made to jump through all kinds of hoops to keep her job and/or her sanity.
The sitcom really is in as much trouble as it seems to be.