For their seventh studio album, Silverlined, veteran roots-rock act Donna the Buffalo don’t stray too far from their trademark hybrid of folk, reggae, Cajun, zydeco, rock and country. As a staple of the festival circuit for 20 years now, the band certainly is attuned to what their devoted fanbase wants to hear, and this latest collection lays down ramshackle, danceable grooves that give structure to songs like “Tomorrow Still Knows” and “Biggie K” that might otherwise devolve into freeform jam-band improvisation.
As usual, multi-instrumentalists Tara Nevins and Jeb Puryear trade lead vocal and principal songwriter duties, with Puryear’s contributions reflecting an environmentally conscious lyrical bent while Nevins’s own skew more toward traditional country and folk songs about relationships. While it would give the album greater focus and heft were they able to intertwine these two distinct themes, both types of songs fit comfortably within the band’s homey aesthetic. Without any particularly noteworthy songwriting, it’s Donna the Buffalo’s always spirited performances that carry Silverlined, which comes as close as any of their records to capturing the energy of their live shows.
Since 2001, we've brought you uncompromising, candid takes on the world of film, music, television, video games, theater, and more. Independently owned and operated publications like Slant have been hit hard in recent years, but we’re committed to keeping our content free and accessible—meaning no paywalls or fees.
If you like what we do, please consider subscribing to our Patreon or making a donation.