Connect with us


Review: Jay Som’s Anak Ko Embodies Bedroom Pop As an Emotional Travelogue

The singer-songwriter balances the musical warmth of her bedroom-pop influences with some heavy emotional stakes.

Anak Ko
Photo: Lindsey Byrnes

Even if you’ve never heard Melina Duterte’s music before, the singer-songwriter’s third album as Jay Som might still sound instantly familiar. Musically, Anak Ko—which means “my child” in Tagalog—takes inspiration from ‘90s dream pop, marked by jangly guitars, big, reverb-soaked drums, and mildly distorted vocals. Duterte mines similar sonic terrain as Yo La Tengo, and “Superbike,” with its swirling guitars and warm vocals, would feel right at home on the band’s 1995 album Electr-o-Pura. The song’s lyrics are spare but powerful, infused with a sense of wanderlust shot through with melancholy: “Said you wanted something else…Gonna breathe until you’re gone.” Duterte balances the musical warmth of her bedroom-pop influences with some heavy emotional stakes.

Though it lacks the immediacy of 2017’s Everybody Works, Anak Ko compensates with a more mature lyrical depth, prompted by Duterte’s recent move from her hometown in the Bay Area to Los Angeles, where she reportedly found love and quit drinking. Her vocals here are buried in the mix a bit, conveying the hushed intimacy of a late-night conversation. “Did you fall at first glance? Do you think you’ll take a chance?” Duterte asks on the standout “Tenderness.”

A longing for the freedom of the road pervades the album. Leisurely drums set the tone on “Nighttime Drive,” suggesting a meandering trip down familiar backroads with no particular destination in mind. Duterte’s voice falls somewhere between a sigh and a whisper as she sings, “We’ll be all right.” Traveling becomes a metaphor on the track, as she illustrates a tension between freedom and safety. Leaving a place you know opens the world up for adventure, but it means you might also lose some of the things you previously valued.

Anak Ko can feel homogenous, coasting along to the same relaxed midtempo rhythm. Duterte’s layered guitar sound and submerged vocals ensure that her songs whir along like background music. The closing track, “Get Well,” is the only song that deviates from her dream-pop formula, venturing into country territory thanks to the use of pedal steel guitar. But while it might lack a rave-up pop number like Everybody Works’s infectious “1 Billion Dogs,” Anak Ko offers plenty of reasons to follow Duterte down whatever road may lay ahead.

Label: Polyvinyl Release Date: August 23, 2019 Buy: Amazon

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, consider becoming a SLANT patron, or making a PayPal donation.
“Tell the truth but tell it slant”
Sign up to receive Slant’s latest reviews, interviews, lists, and more, delivered once a week into your inbox.
Invalid email address




Don't miss out!
Invalid email address