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Hamish Linklater (#110 of 2)

Live Wire: An Interview with The Comedy of Errors Star Hamish Linklater

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Live Wire: An Interview with <em>The Comedy of Errors</em> Star Hamish Linklater
Live Wire: An Interview with <em>The Comedy of Errors</em> Star Hamish Linklater

What kind of Hamish Linklater fan you are likely depends on what kind of entertainment you take in the most. If you’re a TV buff, odds are you know him from The New Adventures of Old Christine, or maybe Gideon’s Crossing. If you mainly watch films, you’ve surely seen his standout work in a range of projects, from Miranda July’s The Future and the old cult flick Groove to Greta Gerwig’s vehicle Lola Versus and this year’s 42. Theater junkies know Linklater from his extensive work on stage, which dates all the way back to his childhood, when his mother, Kristin Linklater, a vocal technique teacher and current chair of the Acting Division at Columbia University, made him aware of the Bard almost immediately. Throughout his theater career, the 36-year-old has starred with the likes of the late Jill Clayburgh in Off Broadway productions, made his Broadway debut in 2011’s Seminar with Alan Rickman and Jerry O’Connell, and made repeated returns to the Public’s Shakespeare in the Park, appearing in 2009’s Twelfth Night and 2010’s The Merchant of Venice. This season, the actor returns to the outdoor venue in The Comedy of Errors, which reunites him with director Daniel Sullivan and his frequent co-star Jesse Tyler Ferguson.

Seattle International Film Festival 2011: The First Grader, Beginners, & The Future

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Seattle International Film Festival 2011: <em>The First Grader</em>, <em>Beginners</em>, & <em>The Future</em>
Seattle International Film Festival 2011: <em>The First Grader</em>, <em>Beginners</em>, & <em>The Future</em>

[Editor’s Note: This article is cross-posted at Parallax View.]

Opening night—rarely a strong point of SIFF—arrived with one of the least memorable films of recent memory—even more frustrating since it had already opened theatrically in New York to tepid reviews. The First Grader, the dramatized odyssey of an 84-year-old man who takes up the Kenyan’s government’s promise of universal education to learn to read, otherwise hits all the right notes for a Seattle event, and does so with thudding predictability. It’s an uplifting story of triumph over adversity in a third world setting, a true story with resonance in recent history and current events, and a feature built on waves of swelling music and seas of the adorable faces of children to trigger the audience’s nervous systems like a Pavlovian response. What could have been a resonant exploration of the tensions left over decades after the Mau-Mau rebellion and the lingering feelings of betrayal from both sides of the Kenyan people simply checks off the issues before setting up stock conflicts and easy-to-identify villains on the way to triumph. I understand the SIFF was seriously pursuing a far more substantial feature that, by fault of their own, fell through at the eleventh hour and I applaud their efforts on that count. But that doesn’t make The First Grader any less unimpressive.