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Get Out (#110 of 8)

Oscar 2018 Winner Predictions

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Oscar 2018 Winner Predictions

Fox Searchlight Pictures

Oscar 2018 Winner Predictions

This is a complete list of our predicted winners at the 2018 Academy Awards with links to individual articles.

Picture: Get Out
Director: Guillermo del Toro, The Shape of Water
Actor: Gary Oldman, Darkest Hour
Actress: Frances McDormand, Three Billboards Outside Ebbing, Missouri
Supporting Actor: Sam Rockwell, Three Billboards Outside Ebbing, Missouri
Supporting Actress: Laurie Metcalf, Lady Bird
Original Screenplay: Three Billboards Outside Ebbing, Missouri
Adapted Screenplay: Call Me by Your Name
Foreign Language: A Fantastic Woman
Documentary Feature: Icarus
Animated Feature Film: Coco
Documentary Short: Heaven Is a Traffic Jam on the 405
Animated Short: Revolting Rhymes
Live Action Short: The Eleven O’Clock
Film Editing: Dunkirk
Production Design: The Shape of Water
Cinematography: The Shape of Water
Costume Design: Phantom Thread
Makeup and Hairstyling: Darkest Hour
Score: The Shape of Water
Song: “Remember Me,” Coco
Sound Editing: Dunkirk
Sound Mixing: Dunkirk
Visual Effects: War for the Planet of the Apes

Oscar 2018 Winner Predictions Picture

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Oscar 2018 Winner Predictions: Picture

Universal Pictures

Oscar 2018 Winner Predictions: Picture

It all comes back to Faye Dunaway’s envelope. That moment when the surest best picture winner since Schindler’s List was announced, Hollywood reacted with one final weary round of applause, and Oscar-party attendees everywhere started collecting their coats. And then came the shock to end all shocks, what Mike D’Angelo correctly identified as “the greatest moment in Film Twitter history.” What’s more, PwC’s mistake has now blossomed into the gift that keeps on giving. Because absolutely no one—not even Sasha Stone, who’s been executing an exhaustive control-group ballot experiment the likes of which would make Nate Silver suggest dialing it down—is even remotely confident about what they should predict will win the top prize this year.

Oscar 2018 Winner Predictions Original Screenplay

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Oscar 2018 Winner Predictions: Original Screenplay

Fox Searchlight Pictures

Oscar 2018 Winner Predictions: Original Screenplay

Mildred Hayes begins Three Billboards Outside Ebbing, Missouri unshaken in her convictions, only to wind up in a place where her doubts hide behind a façade of bluster. Similarly, we’ve spent much of these last few weeks gradually losing assurance that the beautifully realized characters, brisk rising action, incisive dialogue, and political resonance of both Greta Gerwig’s script for Lady Bird and Jordan Peele’s for Get Out will on their merits be able to stave off Martin McDonagh’s work on Three Billboards Outside Ebbing, Missouri. To some extent, the momentum surrounding best picture candidates always finds a way to trickle down to Oscar’s screenplay categories, and this year’s top award is in a state of ongoing pandemonium. What else can possibly rise above that din except McDonagh’s Trumpland soliloquies?

Oscar 2018 Winner Predictions Actor

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Oscar 2018 Winner Predictions: Actor

Focus Features

Oscar 2018 Winner Predictions: Actor

Typically, when it comes to predicting Oscar’s acting awards, we schedule out our predictions so that we can write about the easiest race first and work our way toward making the toughest call. This year, we didn’t even have to wait until the results of the BAFTAs before declaring Frances McDormand a lock for raging against dirty cops, abusive spouses, and bowls of Froot Loops throughout Three Billboards Outside Ebbing, Missouri. As it turned out, we could’ve safely knocked all four acting categories down weeks ago.

Oscar 2018 Winner Predictions Director

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Oscar 2018 Winner Predictions: Director

Fox Searchlight Pictures

Oscar 2018 Winner Predictions: Director

“Since childhood, I’ve been faithful to monsters. I have been saved and absolved by them, because monsters, I believe, are patron saints of our blissful imperfection, and they allow and embody the possibility of failing,” said Guillermo del Toro while receiving his award for best director earlier this year at the Golden Globes. It’s a beautiful sentiment that goes a long way toward explaining the appeal of the filmmaker’s The Shape of Water. Case in point, the comment left by one Marisa Damele to a Variety article announcing that del Toro had been selected to head the jury at the next Venice Film Festival: “Guillermo del Toro knows how to make us realize, with every one of his films, that some monsters have beauty inside, while some good looking humans are hiding a monster in their interior. Not everything is what it looks like. See through the package. This is the message. He is brilliant.”

2018 Oscar Nominations: The Shape of Water Leads Field, James Franco Shut Out, & Rachel Morrison Makes History

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2018 Oscar Nominations: The Shape of Water Leads Field, James Franco Shut Out, & Rachel Morrison Makes History

Fox Searchlight Pictures

2018 Oscar Nominations: The Shape of Water Leads Field, James Franco Shut Out, & Rachel Morrison Makes History

Nominations for the 90th Academy Awards were announced Tuesday morning amid what had been proving to be one of the more unpredictable awards seasons in years, until the Golden Globes and Screen Actors Guild Awards marched in lockstep in multiple categories, turning hopefuls into frontrunners. Guillermo del Toro’s The Shape of Water led the nomination count with 13, followed by Christopher Nolan’s Dunkirk with eight, Martin McDonagh’s Three Billboards Outside Ebbing, Missouri with seven, and Paul Thomas Anderson’s Phantom Thread and Joe Wright’s Darkest Hour with six.

Phantom Thread, Slant’s number one film of 2017, made a surprisingly strong showing, with Anderson claiming his second nomination for best director (we predicted McDonagh to fall short in this category but anticipated Sean Baker to take his spot) and Lesley Manville sneaking into the race over SAG nominees Holly Hunter and Hong Chau. But perhaps the biggest surprise of the morning was James Franco failing to be nominated for The Disaster Artist, proving that Oscar voters who were late in filing their nomination ballots took into account the allegations of sexual misconduct against the actor.

Elsewhere, Rachel Morrison became the first woman in the Academy’s history to be nominated for best cinematography, for her work on Dee Ree’s Mudbound, while Meryl Streep was nominated for the 21st time in her career, extending a record that seems likely to stand for time immemorial.

2018 Oscar Nomination Predictions

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2018 Oscar Nomination Predictions

A24

2018 Oscar Nomination Predictions

The Academy Awards will be televised later than normal this year, so that the world can pay tribute to Adam Rippon making that money and earning another check at the Olympics. Normally this delay would spark even more angst than usual about how the awards season perennially makes the Oscars yesterday’s news before they’ve even had a chance to weigh in with their nominations, but we aren’t despairing. The main reason for that is we’re still enjoying the opportunity to accurately gauge AMPAS’s overdue transition from old-guard to new-guard voters. If Moonlight’s thrilling upset victory over La La Land two minutes after the best picture prize was incorrectly called for the latter left everyone’s heads spinning, we still don’t know how sweeping the Academy’s membership truly is or how far-reaching its effects will be. Nor does anyone else. Behold the gazillion nominations it took to make the Broadcast Film Critics Association—i.e., the only professional Oscar prognosticators who’ve managed to dupe the world into believing they’re actually an awards group—feel as though they could sleep at night. Until proven otherwise, we see no reason not to be optimistic about the Grand Pooh-Bah of film prizes’ potential for further underdog surprises.

Slant’s Top 25 Films of 2017

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Slant’s Top 25 Films of 2017

Cohen Media Group

Slant’s Top 25 Films of 2017

From Chuck Bowen’s introduction to Slant Magazine’s Top 25 Films of 2017: “Cinema is an art of collaborative effort that speaks implicitly and often explicitly of the values of community, which often seemed in short supply this year. We live in an age in which articles are written daily on the need for “checking out” of online culture, so that we may disconnect from the bombardment of grotesqueries that keep us in an emotional tailspin. Both coincidentally and by pop-cultural osmosis, many of the year’s best films ask how deeply we may be permitted to check out and how far we should risk and extend ourselves for the prospect of personal and social rehabilitation.” Click here to read the feature and see if your favorite films of the year made our list. And see below for a list of the films that just missed making it onto our list, followed by our contributors’ individual ballots.