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Oscar 2018 Winner Predictions Director

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Oscar 2018 Winner Predictions: Director

Fox Searchlight Pictures

Oscar 2018 Winner Predictions: Director

“Since childhood, I've been faithful to monsters. I have been saved and absolved by them, because monsters, I believe, are patron saints of our blissful imperfection, and they allow and embody the possibility of failing,” said Guillermo del Toro while receiving his award for best director earlier this year at the Golden Globes. It's a beautiful sentiment that goes a long way toward explaining the appeal of the filmmaker's The Shape of Water. Case in point, the comment left by one Marisa Damele to a Variety article announcing that del Toro had been selected to head the jury at the next Venice Film Festival: “Guillermo del Toro knows how to make us realize, with every one of his films, that some monsters have beauty inside, while some good looking humans are hiding a monster in their interior. Not everything is what it looks like. See through the package. This is the message. He is brilliant.”

Oscar 2018 Winner Predictions Actress

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Oscar 2018 Winner Predictions: Actress

Fox Searchlight Pictures

Oscar 2018 Winner Predictions: Actress

Is Frances McDormand's Mildred in Martin McDonagh's Three Billboards Outside Ebbing, Missouri, a film about a woman's vigilante efforts to get justice for her murdered daughter by publicly shaming the town's police for failing to sufficiently investigate the crime, made of Teflon? Case in point: After throwing Molotov cocktails into the town's police station, setting it ablaze, the only reprimand she receives after being provided with the flimsiest of alibis is the side-eye of the town's temporary police chief.

2018 Oscar Nominations: The Shape of Water Leads Field, James Franco Shut Out, & Rachel Morrison Makes History

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2018 Oscar Nominations: The Shape of Water Leads Field, James Franco Shut Out, & Rachel Morrison Makes History

Fox Searchlight Pictures

2018 Oscar Nominations: The Shape of Water Leads Field, James Franco Shut Out, & Rachel Morrison Makes History

Nominations for the 90th Academy Awards were announced Tuesday morning amid what had been proving to be one of the more unpredictable awards seasons in years, until the Golden Globes and Screen Actors Guild Awards marched in lockstep in multiple categories, turning hopefuls into frontrunners. Guillermo del Toro’s The Shape of Water led the nomination count with 13, followed by Christopher Nolan’s Dunkirk with eight, Martin McDonagh’s Three Billboards Outside Ebbing, Missouri with seven, and Paul Thomas Anderson’s Phantom Thread and Joe Wright’s Darkest Hour with six.

Phantom Thread, Slant’s number one film of 2017, made a surprisingly strong showing, with Anderson claiming his second nomination for best director (we predicted McDonagh to fall short in this category but anticipated Sean Baker to take his spot) and Lesley Manville sneaking into the race over SAG nominees Holly Hunter and Hong Chau. But perhaps the biggest surprise of the morning was James Franco failing to be nominated for The Disaster Artist, proving that Oscar voters who were late in filing their nomination ballots took into account the allegations of sexual misconduct against the actor.

Elsewhere, Rachel Morrison became the first woman in the Academy’s history to be nominated for best cinematography, for her work on Dee Ree’s Mudbound, while Meryl Streep was nominated for the 21st time in her career, extending a record that seems likely to stand for time immemorial.

2018 Oscar Nomination Predictions

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2018 Oscar Nomination Predictions

A24

2018 Oscar Nomination Predictions

The Academy Awards will be televised later than normal this year, so that the world can pay tribute to Adam Rippon making that money and earning another check at the Olympics. Normally this delay would spark even more angst than usual about how the awards season perennially makes the Oscars yesterday’s news before they’ve even had a chance to weigh in with their nominations, but we aren’t despairing. The main reason for that is we’re still enjoying the opportunity to accurately gauge AMPAS’s overdue transition from old-guard to new-guard voters. If Moonlight’s thrilling upset victory over La La Land two minutes after the best picture prize was incorrectly called for the latter left everyone’s heads spinning, we still don’t know how sweeping the Academy’s membership truly is or how far-reaching its effects will be. Nor does anyone else. Behold the gazillion nominations it took to make the Broadcast Film Critics Association—i.e., the only professional Oscar prognosticators who’ve managed to dupe the world into believing they’re actually an awards group—feel as though they could sleep at night. Until proven otherwise, we see no reason not to be optimistic about the Grand Pooh-Bah of film prizes’ potential for further underdog surprises.
 

Slant’s Top 25 Films of 2017

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Slant’s Top 25 Films of 2017

Cohen Media Group

Slant’s Top 25 Films of 2017

From Chuck Bowen’s introduction to Slant Magazine’s Top 25 Films of 2017: “Cinema is an art of collaborative effort that speaks implicitly and often explicitly of the values of community, which often seemed in short supply this year. We live in an age in which articles are written daily on the need for “checking out” of online culture, so that we may disconnect from the bombardment of grotesqueries that keep us in an emotional tailspin. Both coincidentally and by pop-cultural osmosis, many of the year’s best films ask how deeply we may be permitted to check out and how far we should risk and extend ourselves for the prospect of personal and social rehabilitation.” Click here to read the feature and see if your favorite films of the year made our list. And see below for a list of the films that just missed making it onto our list, followed by our contributors’ individual ballots.