In so fervently, even humanely, leaning into Kai’s (Evan Peters) madness as it once did into Ally’s (Sarah Paulson), “Charles (Manson) in Charge” manages to get back to the inspired lunacy of American Horror Story: Cult’s first few episodes and reclaim a sense of purpose, one that puts character development on a level playing field with political provocation. The flashbacks are no longer misleading or disconnected and the aesthetics are, while still dissonant, lush with meaning, as in the framing of bodies and use of mirrors that stress both Kai’s fraught connection to his sister, Winter (Billie Lourd), as well as his psychic break from reality.
Chaz Bono (#1–10 of 4)
Toward the end of “Valerie Solanas Died for Your Sins: Scumbag,” Kai (Evan Peters) confesses to Winter (Billie Lourd) that while he’s gotten far on charisma and fear, his cult can’t go any further without a deeper philosophy. The emptiness of Kai’s accomplishments, the need for something more, serves to self-define American Horror Story: Cult itself. The show’s greatest successes have come from its performances and the real-world traumas from which it’s blatantly taken inspiration. But the strength of the standalone flashback that occupies much of this episode—the rise and fall of Valerie Solanas (Lena Dunham)—speaks to the weakness of the overall season.
It takes less than 30 seconds for “Holes,” the latest episode of American Horror Story: Cult, to reference its title. WBNR’s Bob Thompson (Dermot Mulroney) might be a pervert, but he’s not wrong to ream out Beverly Hope (Adina Porter) for her recent on-air editorializing and fear-mongering: “There’s all sorts of goddamn holes in your stories!” And throughout the episode, Crystal Liu’s screenplay goes about addressing the holes that Cult itself created with the revelations from the flashback-filled “11/9,” but the answers here aren’t only unsatisfyingly blunt, but only raise more questions, to the point that the show’s narrative up to this point has been retconned.
After years of trying to conjure up a universal boogeymen with which to tap into the primal fears of Americans, Ryan Murphy and Brad Falchuk have landed almost effortlessly on target. “Election Night,” the first episode of American Horror Story: Cult, knows exactly how to trigger us; in fact, that’s the modus operandi of the show’s central antagonist, Kai Anderson (Evan Peters). This anarchist’s most terrifying moment isn’t when he rubs blended orange Cheetos all over his face in a send-up of Glenn Beck’s mocking of Donald Trump, or the thought of him donning a three-faced clown mask to terrorize his fellow Americans, but when he calmly walks into a local city council meeting, clad in a suit, to suggest that government allow fear to reign. “Haven’t you been watching what’s been going on in the world?” he asks.