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Ben Ripley (#110 of 1)

SXSW 2011: Source Code

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SXSW 2011: <em>Source Code</em>
SXSW 2011: <em>Source Code</em>

Based on Duncan Jones’s first two feature films, Moon and now Source Code, the latter of which had its world premiere Friday night here at SXSW, one could say that Jones has a knack not for putting across breathtakingly original ideas in a breathtakingly original way, but for putting across familiar ideas with enough skill, intelligence, and heart to make the end result seem fresh enough. Moon at first played like basically a cross between 2001: A Space Odyssey and Solaris, right down to its white-dominated production design, until it gradually began to stake out its own distinctive thematic and emotional territory. Source Code similarly begins in a manner that suggests it’s going to be merely a rehash of films ranging from Groundhog Day to The Manchurian Candidate, but the film eventually develops an identity of its own, thanks in part to Ben Ripley’s structurally brilliant script and the committed performances of its cast.