Open Road Films
Not much to ponder here of significance beyond our increasing belief that it seems unfathomable that this year’s best picture winner can walk away with only one other Oscar, and in one of the two screenplay categories. Which is our way of saying that we see Mad Max: Fury Road and The Revenant, both nominated in every single technical category, as the films primarily gunning for the top prize, with The Big Short the possible beneficiary of a split. For our money, Spotlight has been sending off false signals for some time now of being a stronger best picture contender than it really is. No film so aesthetically (if purposefully) inert, so upright, so un-divisive has won best picture in what seems like decades, and we’re of the impression that this year isn’t one where Oscar wants to be perceived as being behind the times, even if it means making some very unfortunate decisions.