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Madonna Wrangles Beyoncé, Kanye West, Katy Perry, Chris Rock, Nicki Minaj, Miley Cyrus, & More for “Bitch I’m Madonna” Music Video

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Madonna Wrangles Beyoncé, Kanye West, Katy Perry, Chris Rock, Nicki Minaj, Miley Cyrus, & More for “Bitch I’m Madonna” Music Video
Madonna Wrangles Beyoncé, Kanye West, Katy Perry, Chris Rock, Nicki Minaj, Miley Cyrus, & More for “Bitch I’m Madonna” Music Video

After two singles highlighting the cardiovascular half of Madonna’s Rebel Heart project, the singer is unleashing her so-called rebellious side for the album’s third single, “Bitch I’m Madonna.” The first glimpse of the star-studded new music video for the track, inspired by a high-octane performance on The Tonight Show with Jimmy Fallon, came courtesy of the Flaming Lips’ Wayne Coyne, who posted a behind-the-scenes clip from the shoot last month on Instagram. Coyne wasn’t the only celeb on set though—but he’s certainly the weirdest. Despite the song’s title, the clip, which premiered exclusively on Tidal this morning, makes room for a litany of guests, including Chris Rock, Rita Ora, Diplo (who produced the track), fashion designer Alexander Wang, and the Queen of Pop’s two sons, Rocco and David. Other cameos—like a pose-striking Beyoncé, Kanye West, Katy Perry, Nicki Minaj, and Miley Cyrus—were beamed in via green-screen, giving the video a slapdash quality that’s rare for the music video pioneer. The apparent moral of the story? We are all Madonna. So grab your grillz and start humping the nearest wall.

Oscar 2015 Winner Predictions Original Song

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Oscar 2015 Winner Predictions: Original Song
Oscar 2015 Winner Predictions: Original Song

Five respectable, if not especially revelatory, nominees; no controversy. It’s a recipe for irrelevance, which would probably suit some in the music branch just fine this year. They famously shot themselves in the foot last year when they nominated (and then un-nominated) a tuneless dirge from a barely seen red state-baiting exploitation film simply because its composer used his position on the branch’s executive committee to e-blast his colleagues, imploring them not to ignore his work. So does this year’s slate represent an apologia on the music wing’s part? Much more than that, and given the contextual status of the category’s two highest-profile contenders, the best original song race could end up being the entire Academy’s chance to collectively say it’s sorry on a scale that far outpaces the category’s typical stature.