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Oscar 2013 Winner Predictions Visual Effects

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Oscar 2013 Winner Predictions: Visual Effects
Oscar 2013 Winner Predictions: Visual Effects

Like Avatar before it, Life of Pi is the kind of Oscar-y prestige pic that also stands as a benchmark for the medium—a whopping widescreen spectacle displaying the latest in CG, 3D, and OMG imagery. Say what you will about David Magee’s boilerplate script, which fumbles religious themes and offers very rusty bookends, but the vast second act of Ang Lee’s boy-and-his-tiger tale is pure cinema on a grand scale, bringing myriad wonders of ones and zeroes to his stranded protagonist. Just as its sheer scope conveys the humbling hugeness of life, the sea provides Lee and his F/X wizards with a great canvas on which to work, leaving ample room for neon-hued whales, flying fish, and a carnivorous island crawling with meerkats. What’s more, all of that comes after the film’s gargantuan inciting incident—the most awesome ship-foundering since James Cameron sunk the Titanic. In short, Life of Pi is, with next to no doubt, your victor in this category, unless some scandal emerges about, say, animal cruelty, toward the scant few animals that weren’t uncannily crafted by digital artists.

15 Most Anticipated Summer Films

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15 Most Anticipated Summer Films
15 Most Anticipated Summer Films

The Avengers will assemble for what may be the most overstuffed tent-pole ever, and Katy Perry will unleash the first movie that could actually give you cavities, but that doesn’t mean this summer’s cinema landscape is a wholly barren wasteland.

Between superhero orgies (The Avengers) and bubblegum 3D concerts (Katy Perry: Part of Me 3D), there’s a rich array of warm-weather fare, from pint-sized love stories (Moonrise Kingdom) to sci-fi prequels (Prometheus) to breakout festival faves (Beasts of the Southern Wild, The Queen of Versailles). In addition to catching the final chapter of Christopher Nolan’s Batman saga (The Dark Knight Rises), we’re dying to see Joachim Trier’s follow-up to Reprise (Oslo, August 31st), Hirokazu Kore-eda’s latest sure-to-be humanistic triumph (I Wish), and a twisted revenge-horror flick that’s already made waves in Australia (The Loved Ones).

If there’s time after Channing Tatum’s semi-autobigraphical strip show (Magic Mike), we might squeeze in a sit with The Avengers, but only if they promise to deactivate Katy’s whipped-cream boob cannons for good.