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Once Upon A Time In America (#110 of 2)

The Real Tuesday Weld

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The Real Tuesday Weld
The Real Tuesday Weld

Tuesday Weld will not be attending the Film Society of Lincoln Center’s retrospective “American Girl: Tuesday Weld,” running from September 21—25, which will showcase 10 performances by the unconventional actress. Weld hasn’t made a public appearance in more than a decade. Perhaps she’s gone into self-imposed exile a la Marlene Dietrich, wanting to preserve the public’s memory of the brazen, luminous beauty that made her an icon of the ’60s and turned the heads of everyone from Elvis Presley to Pinchas Zukerman. But then again, Weld has made a career of not giving the public what they want, or expect.

From the time she first entered America’s consciousness in the ’50s sitcom The Many Loves of Dobie Gillis, it was obvious that Weld was different from the Sandra Dees of the world, and not just because of her improbable first name. Weld’s apple-pie looks hid a dark, dangerous undercurrent. In her characters, sex and violence were inevitably linked. Her persona was innocent yet amoral—a fille fatale. Weld was Kubrick’s first choice for Lolita, but she turned him down, later claiming “I didn’t have to play it. I was Lolita.”

The Poet As Hired Gun: Ennio Morricone

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The Poet As Hired Gun: Ennio Morricone
The Poet As Hired Gun: Ennio Morricone

I wonder whether Ennio Morricone would be accepting an honorary Oscar at the Academy Awards Feb. 25 had he not been primary-school classmates with one Sergio Leone.

Morricone likes to remind interviewers that Leone’s spaghetti westerns represent just a sliver of his output (examples of which will be screened February 2-22 at New York’s Film Forum). He’s produced hundreds of scores, including five that have been nominated for Oscars: Days of Heaven, The Mission, The Untouchables, Bugsy and Malena. But his groundbreaking contribution to that trilogy that began 43 years ago is what caught the film world’s imagination and led to a high-profile career. And the truth is that Morricone’s work since then, the quality work of an established artist, has rarely equaled the inventiveness of the early stuff.