Broad Green Pictures
Santa Barbara, with its picturesque movie palaces mere minutes from the beach, feels like an idyllic remnant of Old Hollywood. Fitting, then, that the centerpiece of this year’s Santa Barbara International Film Festival is Terrence Malick’s Knight of Cups, a parable about life’s transience posited as a rumination on Hollywood vainglory. Opening the film with a quotation from John Bunyan’s The Pilgrim’s Progress, Malick makes immediately clear that his relatively plotless narrative about a Hollywood screenwriter’s (Christian Bale) various romantic encounters is, in essence, about humanity’s efforts to regain a lost paradise from which we’ve all been expelled. As allegory, it works on both a literal and metaphorical level, one being meaningless without the other, as it’s precisely that tenuous connection between those two planes that represents Malick’s insistence that only there, in the interstices between the material and the spiritual, does life possess purpose and meaning.