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The Hangover Part Iii (#110 of 2)

Box Office Rap Anchorman 2: The Legend Continues and the 2013 Wrap

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Box Office Rap: Anchorman 2: The Legend Continues and the 2013 Wrap
Box Office Rap: Anchorman 2: The Legend Continues and the 2013 Wrap

Adam McKay’s Anchorman 2: The Legend Continues opens on Wednesday and looks to become the eighth live-action comedy of 2013 to gross over $100 million in its domestic run. That’s a significant jump from only three comedies in 2012 which made that benchmark—a doubling in margin that suggests, by all conventional accounts, that it was a “good” year for comedies. Yet, upon further inspection, we find the titles of these moneymakers to be Bad Grandpa, Grown Ups 2, The Heat, and The Hangover Part III, which are among the laziest, if not the worst, Hollywood films of the year. Instead of “good,” we should say it was a profitable year for comedies and leave any such evaluative adjectives out of box-office summations.

If live-action comedy hits were aplenty, so were their animated counterparts, with Despicable Me 2, Monsters University, The Croods, Frozen, and Cloudy with a Chance of Meatballs 2 all meeting or exceeding financial expectations. The same could certainly be said for nearly every endeavor into superhero territory, as audiences still prefer cinema that transports them from the confines of reality and into a playground of fantasy-infused triviality, with a treatment of characters that ranged from tongue in cheek (Iron Man 3) to bombastic (Man of Steel) to hopelessly imitable (The Great Gatsby).

The Worst Movie Posters of 2013

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The Worst Movie Posters of 2013
The Worst Movie Posters of 2013

Movie poster design probably isn’t as lost an art as many claim it to be, but every year, countless audience-insulting ads arrive to support the theories of the doomsday crowd. Granted, there are plenty of tossed-together one-sheets out there that are easy targets for criticism, but none ticked off this poster lover like the doozies included here. From glaring dependence on star power to the dreaded sliver formula, these design snafus are the ones that made you want to pull a Banksy at the multiplex, whipping out your Krylon can and doing a little defacing, if only to counteract the woes of daft commercialism.