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X Men Origins: Wolverine (#110 of 2)

Debut Trailer Drops for Bryan Singer’s X-Men: Days of Future Past

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Debut Trailer Drops for Bryan Singer’s <em>X-Men: Days of Future Past</em>
Debut Trailer Drops for Bryan Singer’s <em>X-Men: Days of Future Past</em>

As opposed to the growing universe of The Avengers, the X-Men saga seems less a dollar-driven mega-brand these days than an interweaving, incestuous franchise bent on its own redemption. James Mangold’s The Wolverine rather effectively removed the bitter taste of Gavin Hood’s X-Men Origins: Wolverine, and Matthew Vaughn’s X-Men: First Class opted to wind the clock all the way back to the 1960s, as if to distract us from the overreaching piecemeal mess that was Brett Ratner’s X-Men: The Last Stand. Now comes X-Men: Days of Future Past, whose very plot involves amending the ills of days gone by, and using this valiant approach to suppress chaos and make for a better future. Allowing life to imitate art, Marvel even reached into its own past to bring this picture to the screen, tapping X-Men and X2 director Bryan Singer to once again take the reins. Few would argue that Singer’s X films, particularly X2, were the strongest of the series, and then there’s the tangentially related tidbit that his Superman Returns soared above Zack Snyder’s Man of Steel. It’s with that directorial promise that viewers can watch Future Past’s debut trailer with confidence, taking in the Marty McFly parallels to a comic-book storyline first penned by Chris Claremont and John Byrne, and watching Halle Berry channel Helen Slater from The Legend of Billie Jean. X-Men: Days of Future Past may not be able to wipe clean the sins of the series, but thanks to its helmer and the sheer audacity of its apparent convolution, it may just be the rare new superhero film that’s actually remarkable. Watch the trailer after the jump.

Box Office Rap The Wolverine and Post-Comic-Con Malaise

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Box Office Rap: The Wolverine and Post-Comic-Con Malaise
Box Office Rap: The Wolverine and Post-Comic-Con Malaise

While DC and Warner Bros. stole headlines this past weekend with plans to integrate Batman into Man of Steel 2 (a.k.a. Batman vs. Superman, or vice versa, as writer David S. Goyer confirmed), it’s Marvel and 20th Century Fox that look to immediately capitalize on all the geekdom hoopla this weekend with The Wolverine, the second standalone film for Hugh Jackman’s titular X-Man, which has made him one of the highest paid actors in Hollywood. What’s changed since the release of X-Men Origins: Wolverine just four years ago? For starters, it appears that Fox has abandoned plans to make standalone films for each of their comic-book properties, instead offering X-Men: First Class as a means to reboot the entire franchise, while anchoring Wolverine on his own for two films until…wait for it…X-Men: Days of Future Past, which will finally bring all of our favorite mutants together again, marking four X-Men films in just six years.