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The Raspberry Reich (#110 of 2)

Radical Chic: Madonna Unveils Short Film secretprojectrevolution

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Radical Chic: Madonna Unveils Short Film <em>secretprojectrevolution</em>
Radical Chic: Madonna Unveils Short Film <em>secretprojectrevolution</em>

In his 2004 film The Raspberry Reich, Bruce LaBruce declares that “Madonna is counter-revolutionary.” Of course, it’s one of many parodies of political sloganeering in the film; in the real world, the impact of the pop-diva doyenne’s work, particularly in terms of post-feminist sexual agency, is unmistakable. Notably, Madonna’s American Life album—which dropped a year before The Raspberry Reich and finds the singer posing on the cover like a cross between Che Guevara and Patty Hearst, two revolutionary icons who figure prominently in the film—proved that Madonna’s politics are best delivered with tongue in cheek. When she’s ventured beyond sexual politics (or, say, the Catholic church, her qualms with which are ultimately about sex and gender anyway), she’s stumbled perilously close to the brand of radical chic LaBruce satirizes in his film.

50 Essential LGBT Films

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50 Essential LGBT Films
50 Essential LGBT Films

You’ve sported a red equal sign on Facebook, watched Nancy Pelosi show Michele Bachmann her politically correct middle finger, and read some of those other lists that have compiled lesbian, gay, bisexual, and transgender (LGBT) films, hailing usual suspects like High Art and Brokeback Mountain as gay equivalents of Vertigo (oh, don’t Citizen Kane me; we’re talking regime upheaval here). Now, as you continue to celebrate the crushing of DOMA and Prop 8 (and toss some extra confetti for Pride Month while you’re at it), peruse Slant’s own list of LGBT movies you owe it to yourself to see. Curated by co-founder and film editor Ed Gonzalez, this 50-wide roster is a singular trove of queer-themed gems and classics, spanning the past eight decades and reflecting artists as diverse as Kenneth Anger, Derek Jarman, and Rainer Werner Fassbinder. You won’t find The Birdcage among our ranks, but you will find Paul Morrissey’s Trash, Ira Sach’s The Delta, David Lynch’s Mulholland Drive, and Céline Sciamma’s Tomboy. Consider the list a hat tip to what’s shaped up to be a banner LGBT year, particularly on screen, with lesbian romance Blue Is the Warmest Color taking top honors at Cannes, and Xavier Dolan releasing the masterful Laurence Anyways, which also made our cut. R. Kurt Osenlund