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In A Year Of 13 Moons (#110 of 2)

Oscar 2015 Winner Predictions Documentary Short

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Oscar 2015 Winner Predictions: Documentary Short
Oscar 2015 Winner Predictions: Documentary Short

It’s decision time and our gurus of gold bring you tidings of great confusion. This year’s nominees for documentary short are all, almost conspicuously, united by their deployment of the canniest of distancing effects. They’re also among the most galvanizing selections we’ve ever had the pleasure of screening—if pleasure is the word to describe how they’ve harpooned our hearts, minds, and seemingly impenetrable tear ducts. Just about the only thing we can agree on is that, as a piece of filmmaking, Gabriel Serra’s The Reaper has no equal here, but that a victory for this haunting, expressionistic, and deeply graphic articulation of a slaughterhouse worker’s relationship to death seems impossible in a world where Richard Linklater is probably the only AMPAS member to have ever made it through the entirety of Fassbinder’s In a Year of 13 Moons without covering his eyes.

50 Essential LGBT Films

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50 Essential LGBT Films
50 Essential LGBT Films

You’ve sported a red equal sign on Facebook, watched Nancy Pelosi show Michele Bachmann her politically correct middle finger, and read some of those other lists that have compiled lesbian, gay, bisexual, and transgender (LGBT) films, hailing usual suspects like High Art and Brokeback Mountain as gay equivalents of Vertigo (oh, don’t Citizen Kane me; we’re talking regime upheaval here). Now, as you continue to celebrate the crushing of DOMA and Prop 8 (and toss some extra confetti for Pride Month while you’re at it), peruse Slant’s own list of LGBT movies you owe it to yourself to see. Curated by co-founder and film editor Ed Gonzalez, this 50-wide roster is a singular trove of queer-themed gems and classics, spanning the past eight decades and reflecting artists as diverse as Kenneth Anger, Derek Jarman, and Rainer Werner Fassbinder. You won’t find The Birdcage among our ranks, but you will find Paul Morrissey’s Trash, Ira Sach’s The Delta, David Lynch’s Mulholland Drive, and Céline Sciamma’s Tomboy. Consider the list a hat tip to what’s shaped up to be a banner LGBT year, particularly on screen, with lesbian romance Blue Is the Warmest Color taking top honors at Cannes, and Xavier Dolan releasing the masterful Laurence Anyways, which also made our cut. R. Kurt Osenlund