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David Bordwell (#110 of 58)

Review: Matt Zoller Seitz’s The Wes Anderson Collection: The Grand Budapest Hotel

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Review: Matt Zoller Seitz’s The Wes Anderson Collection: The Grand Budapest Hotel
Review: Matt Zoller Seitz’s The Wes Anderson Collection: The Grand Budapest Hotel

Matt Zoller Seitz’s The Wes Anderson Collection: The Grand Budapest Hotel is fueled by a sense of escalating invention and exploration. Nothing is taken for granted in this book. You might be glancing through an interview, skimming before taking the cover-to-cover plunge, only to be side-swept by a footnote that’s a self-contained mini-essay pertaining to, say, the brief rise of narration in fiction films in the 1940s, or by a remark about an actor that segues into a brief encapsulation of their notable roles. The book is charged by an obsession that recurs in both Anderson and Seitz’s work: with getting to the bottom of something, thoroughly and resolutely. Any sentiment expressed by either man is liable to be treated as a thread to be pulled so as to initiate a new investigation, which might reveal another sidebar (or illustration, or detailed diagram, or storyboard, or book of sheet music, or painting), which will feature other gems of information and beauty. These gradually accumulate to offer an immersive portrait, not just of The Grand Budapest Hotel, but of life as an ongoing gesture of education as route to refining a sense of empathy.