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New York Film Festival 2013: Her Review

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New York Film Festival 2013: <em>Her</em> Review
New York Film Festival 2013: <em>Her</em> Review

A man falls in love with an operating system. Sounds like the makings of a biting satire on the supposed lack of human connection in the digital age. But one of the most surprising things about Spike Jonze’s new film, Her, is in how it steadfastly refuses to see this predicament from the cynical perspective one might expect. Plenty of ink has been spilled by now about the ways in which technology has had the effect of isolating people from one another even as some of those forms of technology—like Facebook, Twitter, and other forms of social media—have promised otherwise. With Her, it’s as if Jonze said at the outset of the film’s conception, “cynicism’s easy,” and decided not only to take the central romance at least halfway seriously, but to dare to suggest that there may actually be some legitimate validity in falling in love with artificial intelligence.