Coming Up In This Column: The Concert, Cairo Time, A Film Unfinished, Jean-Michel Basquiat: The Radiant Child, Dunkirk, I Was Monty’s Double, Rizzoli & Isles, Burn Notice but first…
Fan Mail: I think that it is only fair that since David Ehrenstein caught me misspelling Charles Walters’s last name as Waters some time ago I mention that in his comments on US#56 he misspelled Robert Rossen’s last name as Rosson. It is an honest mistake, since there was a family of Rossons connected with the business, the most notable being Harold, who was a great cinematographer from 1915 to 1967. I am not as crazy about Rossen’s Lillith (1964) as David is, but I agree that They Came to Cordura (1959) is a very interesting film, and I had thought about mentioning it in the item on Edge of Darkness, since it deals with the issues of heroism and cowardness. As for Rossen’s Alexander the Great (1956), it is not without its interest, but Rossen runs into the same problem Oliver Stone did in his 2004 film Alexander: Alexander had an epic life, but not a very dramatic one: He conquered the world and then he died.
The Concert (2009. Screenplay by Radu Mihaileanu and Alain-Michel Blanc in collaboration with Matthew Robbins, adaptation and dialogue by Radu Mihaileanu, based on a story by Héctor Cabello Reyes and Thierry Degrandi. 119 minutes.)
Worth the wait: This was the film that my wife and I intended to see when we ended up at Get Low (see US#55), and it is certainly more lighthearted than that film. This is one of the most purely entertaining movies of the year, and it’s also more than that in some rather sneaky ways. Before we get into all of that, I do need to warn you about the plot. As Michael Brooke so elegantly put it in his review in the August 2010 Sight & Sound, the “premise alone generates enough plot holes to accommodate an entire fleet of articulated lorries doing three-point turns.” A former conductor of the Bolshoi orchestra, now working as a janitor, intercepts a fax to the company director requesting the orchestra play a concert in a theater in Paris. Alexi, the conductor, rounds up a collection of his old musician friends, goes to Paris and gives a triumphant concert, with no rehearsal and with a young French violinist, Anne-Marie, playing a Tchaikovsky Violin Concerto she has never played before. Watch out for those articulated lorries!