Fine Line Features
Whether due to cultural, linguistic, generational, or racial barriers, Jim Jarmusch’s characters often find themselves talking around rather than to each other. It’s no wonder that in Night on Earth, the director’s 1992 omnibus film consisting of five stories set in different international cities on the same night, the taxi cab provides the perfect visual framework, placing a spatial barrier between characters that makes communication even more challenging. Characters banter, bicker, ramble, and philosophize as they shuttle through various cityscapes like ghosts in the night, catching only fleeting glimpses of the other as reflections in a rear-view mirror. There is a natural yin/yang dynamic to each vignette that uses the dialectics of argumentation as well as visual rhymes, word play, starkly contrasting character types, and class conflict to deepen the audience’s understanding and empathy for the characters and the environment in which they live.