Coming Up In This Column: The Deep Blue Sea, A Separation, The Forgiveness of Blood, The Kid With a Bike, Salt of Life, Letters to Young Filmmakers: Creativity & Getting Your Film Made (book), Pauline Kael: A Life in the Dark (book), but first…
Fan Mail: I will take David Ehrentstein at his word that he was serious about Mandingo (1975) is one of the best films about race in America, but I am not sure anybody else will. On Smash’s Ellis I don’t think I made it clear that I think he is bi as well. And I agree completely with David that the “Don’t Say Yes Until I Finish Talking” number is the best one so far in Smash. That episode had not shown up at the time I wrote US#92. Interesting though that they only showed the rehearsal/audition version and did not cut to the fully produced number as they sometimes do. Well, some people can look forward to seeing all those chorus boys in just their towels.
The Deep Blue Sea (2011. Screenplay by Terence Davies, adapted from the play by Terence Rattigan. 98 minutes.)
Terence, meet Terence: Terence Rattigan (1911-1977) was one of the leading British playwrights of the middle of the twentieth century. The period of his greatest success was from 1946 to 1956. His dramas were literate and restrained, usually about members of the upper class stifling their emotions. His work became almost instantaneously unfashionable with the arrival of the Angry Young Men playwrights like John Osborne. But even before his death, Rattigan’s reputation began to regain some of its luster, as did the reputation of his contemporary Noël Coward, and for some of the same reasons. Both wrote dramas about people with restrained emotions, which gives actors a lot of subtext to play. Both were also extraordinary theatrical craftsmen, especially in the area of dramatic structure.