Heather Phelps Lipton
Over the course of the past two decades, Leigh Silverman has spent most of her time as a director working on new plays, collaborating with writers and helping shepherd their work through years of development. Her partnership with playwright Lisa Kron led to her directing Kron’s quasi-autobiographical Well, which marked Silverman’s Broadway debut 10 years ago. At age 31, she joined that extremely exclusive club of female directors working on Broadway. That group has grown larger in the intervening years, and Silverman herself went on to direct the Broadway premiere of Chinglish by David Henry Hwang, with whom she enjoys an enduring collaborative relationship.
Under Silverman’s sure-footed directorial guidance, several actors and writers have received Tony recognition, but it was for her direction of the 2014 revival of the musical Violet that she finally garnered her first Tony nomination. Now Silverman is directing Violet star Sutton Foster in the New Group’s Off-Broadway revival of the 1966 musical Sweet Charity, playing at the Pershing Square Signature Center. We talked recently to the director about her current production and her relatively new foray into the world of musicals.