From Chuck Bowen’s introduction to Slant Magazine’s list of the 100 Greatest Horror Film of All Time: “A startling commonality emerges if you look over the following films in short succession that’s revelatory of the entire horror genre: These works aren’t about the fear of dying, but the fear of dying alone, a subtlety that cuts to the bone of our fear of death anyway—of a life unlived. There’s an explicit current of self-loathing running through this amazing collection of films. What are Norman Bates and Jack Torrance besides eerily all-too-human monsters? Failures. Success also ultimately eludes Leatherface, as well as the socially stunted lost souls of Kiyoshi Kurosawa’s Pulse. What is the imposing creature of Nosferatu? He makes for quite the presence, but his hungers ultimately lead him to oblivion.” Click here to read the feature and see if your favorites made our list. And see below for a list of the films that just missed the cut.
Slant Magazine (#1–10 of 20)
“Following The Black Dahlia and Redacted, Passion is a return to form for Brian De Palma, but to compare the film to Femme Fatale’s heady and delirious fusion of hieratic artistry with emotional directness is to oversell it. A remake of Alain Corneau’s final film, Love Crime, this melodrama about corporate back-biting and sexual and murderous compulsion more accurately brings to mind a 1975 vintage by De Palma, Obsession, that was also something of a comedy in the guise of a thriller—a slithery, highly stylized bit of auto-critique from a filmmaker who, then, was grappling with the self-deprecating sense of only being able to make movies in the key of Hitchcock.”
To read the rest of my review, click here.
Jessica Paré on the Mad Men theories.
Lost Egyptian city revealed after 1,200 years under sea.
Cineaste singles out a few Slanters as film criticism’s next generation.
A newly translated interview Federico García Lorca reveals poet’s thoughts on New York.
Lynn Hirschberg sits down with Paul Thomas Anderson.
By the current timetable of cultural recycling, pop artifacts tend to look their most dated—no longer fresh and new, but also not yet easily filed as products of their time—roughly 15 to 20 years following their initial conception. That became painfully clear when, and this isn’t to speak for the rest of the Slant writers, I set about the task of re-watching some of the ’90s movies I’ve long considered favorites, and even more so as I finally set about to catch up with some of the other movies my colleagues were endorsing. Beyond the leftover ’80s-hangover effect, there’s also the fact that some of the most beloved and influential ’90s movies helped kick off trends that have, in the years since, curdled into cliché and downright annoyance. Hence, over-familiarity and premature antiquity form a minefield that makes determining the last analog decade’s best films uniquely tricky.
Oscar-nominated Susan Tyrrell (Fat City) has died. She was 65.
The animated life of Seth MacFarlane, from Family Guy to Ted.
Family Guy, Simpsons writers protest Community animated episode on Emmy ballot.
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The 100 most influential people in the world according to Time magazine.
U.S. troops posed with body parts of Afghan bombers.
Part one of Olaf Möller’s look at the globe-spanning work of Michael Glawogger.
More from Nick Pinkerton.
The genius of Alfred Hitchcock…in pictures.
Boston Globe film critic Wesley Morris reacts to winning the Pulitzer.
This week, Slant launches a new list: the best albums of the 1980s.
J. Hoberman eyes BAMcinématek’s Andrzej Zulawski retrospective.
The IndieWire gang makes a wish.
Mike D’Angelo takes the scenic route into early Aronofsky country.
Check out the new issue of The Believer.
Peter Bogdanovich regards Preston Sturges’s Sullivan’s Travels highly.
Dave Kehr desires impeccably restored prints of the von Sternberg-Dietrich films.
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Marilyn Monroe is selected as the icon of the 2012 Cannes Film Festival.
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Ben Simington on Werner Herzog’s innovative use of music.
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Senator Olympia Snowe to retire in blow to GOP.
Apologies for posting this a day late: Dana Stevens introduces this year’s Slate Movie Club.
Over at MUBI, contributors to the Notebook’s 4th Writers Poll program some of 2011’s most interesting films into double features.
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The Millions anticipates the year in books.
From Nick Schager’s introduction to Slant Magazine’s Top 25 Films of 2011: “The auteurs had it in 2011, which delivered such a feast of fantastic domestic and international cinema that it’s difficult to remember a year in which it was harder to compile a consensus Top 25. Nonetheless, best-of-year rankings wait for no critic, and our list is practically overflowing with films by young and old masters at the apex of their games, be it Terrence Malick’s sumptuous spiritual odyssey The Tree of Life, Edward Yang’s long-unreleased 1991 classic A Brighter Summer Day, or Abbas Kiarostami’s formalist masterwork Certified Copy.” Click here to read the feature and see if your favorite films of the year made our list. And see below for a list of the films that just missed making it onto our list, followed by our contributors’ individual ballots. Happy reading.
- a brighter summer day
- a dangerous method
- a separation
- certified copy
- el sicario room 164
- extraordinary stories
- film socialisme
- in the family
- leap year
- meek's cutoff
- mysteries of lisbon
- nostalgia for the light
- of gods and men
- slant magazine
- take shelter
- the skin i live in
- the time that remains
- the tree of life
- tinker tailor soldier spy
- tuesday after christmas
- uncle boonmee who can recall his past lives