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Game of Thrones Recap Season 7, Episode 7, “The Dragon and the Wolf”

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Game of Thrones Recap: Season 7, Episode 7, “The Dragon and the Wolf”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 7, “The Dragon and the Wolf”

At the start of “The Dragon and the Wolf,” the season-seven finale of Game of Thrones, the lengthy Dragonpit meeting between Cersei Lannister (Lena Headey) and Daenerys Targaryen (Emilia Clarke) and their respective alliances reestablishes relationships and reminds us of long-simmering feuds with nothing more than a few brief conversations and glances. Jon Snow (Kit Harington) warily assesses Cersei while Euron Greyjoy (Pilou Asbæk) violently dismisses his nephew, Theon (Alfie Allen). Meanwhile, the dishonored Jaime Lannister (Nikolaj Coster-Waldau), unsurprisingly, finds it difficult to make eye contact with Brienne of Tarth (Gwendoline Christie). With the exception of the moment that Sandor Clegane (Rory McCann) rolls a wight out of its makeshift prison, the entire sequence is notable for how it sees the episode zigging away from the spectacle that has increasingly defined this season and toward the show’s once-stubborn obsession with the art of diplomacy.

Game of Thrones Recap Season 7, Episode 5, “Eastwatch”

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Game of Thrones Recap: Season 7, Episode 5, “Eastwatch”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 5, “Eastwatch”

“Eastwatch” picks up exactly where the last episode of Game of Thrones left off, with Bronn (Jerome Flynn) fishing Jaime Lannister (Nikolaj Coster-Waldau) out of a river, and marks a turning point for the series, as it finally fully embraces its fantasy. To this point, Game of Thrones has carefully rooted itself in medieval lore and tactics (dragons-as-nuclear-bombs notwithstanding), but “Eastwatch” feels more like a heist movie than what’s come before. To some extent, this is a result of the ever-accelerated pacing: The journey is no longer shown, only the destinations, and character re-introductions are distilled into essential quips and action. But more importantly, it’s an episode that dials back from the epic confrontations that have filled out the majority of this season, choosing instead to focus on eight brave individuals and their almost certainly hopeless quest.

Game of Thrones Recap Season 7, Episode 1, “Dragonstone”

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Game of Thrones Recap: Season 7, Episode 1, “Dragonstone”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 1, “Dragonstone”

Whenever Jon Snow (Kit Harington), the newly minted King of the North, seeks guidance, he thinks back to the words of his deceased father, Ned Stark. When it comes to whether he should punish the disloyal houses of Karstark and Umber, who fought against his rightful rule in last season’s Game of Thrones episode “Battle of the Bastards,” he chooses not to hold the children responsible for the mistakes of their parents, and bulldozes his way past the more vengeful desires of his sister, Sansa Stark (Sophie Turner). Yes, Cersei Lannister (Lena Headey) has seized control of King’s Landing and summons Jon to take a knee before her, and yes, Daenerys Targaryen (Emilia Clarke) has finally returned to her ancestral home at Dragonstone, but “Yesterday’s wars don’t matter anymore,” Jon announces. Winter is here, women and children will learn to fight alongside men—a prospect fully backed by the fiery young Lyanna Mormont (Bella Ramsey)—and gold is irrelevant. Only dragonglass (and Valyrian steel) can slay the marching armies of the dead.

Game of Thrones Recap Season 6, Episode 8, "No One"

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Game of Thrones Recap: Season 6, Episode 8, “No One”

HBO

Game of Thrones Recap: Season 6, Episode 8, “No One”

Jaime Lannister (Nikolaj Coster-Waldau) isn’t a good person, but neither is he the villain that his prisoner, Edmure Tully (Tobias Menzies), thinks he is. When Edmure asks how Jaime can sleep at night, his answer is simple: He loves his sister, Cersei, and he would do anything to be with her. Though there’s clearly at least one other soft spot in his heart, as he allows Brienne of Tarth (Gwendoline Christie) to escape from his siege of Riverrun, he claims nothing else matters to him, which means that all of his violence is justified. His terms to Edmure are just as straightforward: If he wants to stop Jaime from taking his infant son and launching him into Riverrun via catapult, he will seize control of the castle as its rightful lord, and force his uncle, Brynden “Blackfish” Tully (Clive Russell), and his men to surrender. With such a personal threat, there’s no hesitation from Edmure, though he knows he condemns at least his uncle to death, and this gives truth to Jaime’s worldview: Nobody is evil, they’re just differently intentioned.

Toronto International Film Festival 2015 Office and 11 Minutes

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Toronto International Film Festival 2015: Office and 11 Minutes

Milky Way Image Company

Toronto International Film Festival 2015: Office and 11 Minutes

Hong Kong auteur Johnnie To has long been adding balletic touches to both his gunslinging action movies and his wild romantic comedies, which made the prospect of his first outright musical—in 3D, no less—one of the most exciting selections in this year’s Toronto International Film Festival. But even hardcore fans could scarcely anticipate what a major departure Office is for the director. To arranges the film around a gigantic, blacked-out set filled with the skeletal outlines of consumerist life: Subways constructed of nothing more than winding, orange pipes carry workers to a corporate office of endless computer desks encased in glass. On the building’s bottom floor, the work environment opens imperceptibly into a department store, further limiting the parameters of the film’s world and presenting a closed ecosystem of money that resembles Playtime by way of Dogville.