1. “The Decline of the American Actor.” Why the under-40 generation of American leading men is struggling—and what to do about it.
“It’s a keen and peculiar pleasure, and one that, in the livelier young minds, can grow into a desire to keep organizing the world that way, understanding by pretending. If they’re driven enough to try to do this for a living—to become actors, and dedicate themselves to searching for truth in make-believe characters—they have to find a way to retain at least a portion of their original delight in the let’s-pretend game. In acting classes, play takes the disciplined form of directed improvisations. Those who haven’t been to acting school aren’t always comfortable making things up when the cameras are rolling, and it shows: there’s not much spontaneity in their readings or gestures, none of the pleasant illusion of life just happening that is, or should be, the aim of their art. (On the sets of big-budget movies, spontaneity isn’t highly prized, so nobody objects.)”