The democratization of technology is a boon for globalization, but for anyone who ever felt an inkling of pleasure watching the Oscars, it’s become a blight to an institutional process that once made seemingly genuine attempts toward establishing even playing fields. Today, the Oscar season begins as soon as the curtain falls on the previous one. The full-time awards pundit predicts nominees, sometimes even winners, months before a film has even left the editing room (“Could it be two in a row for Eddie Redmayne?!”), the insta-reactionary-ness of Twitter trending films and people up or down like stocks. How good the work is matters less than how good one works a room, or how closely the work aligns with a cultural shift in imagination. Show up at a festival to promote your film, pretend to enjoy getting your picture snapped by a #blessed “industry expert,” thus securing their approval, and suddenly you’re a “lock.” At least that’s what said expert will report to their followers, who’ll slavishly lap up and spread the pundit’s hosannas for films sight unseen—a domino-like effect of readiness and willingness perpetuated by the studios with For Your Consideration campaigns.