BFI London Film Festival
For anthropologist Claude Lévi-Strauss, society exchanges three fundamental things: words, women, and goods. Writer-director Annemarie Jacir explores those very objects of exchange in the most delicate of ways throughout Wajib. Although Amal (Maria Zreik) is getting married, neither her wedding nor the film itself is really about her. Both are about the men—her father, Shadi (Saleh Bakri), and her brother, Abu Shadi (Mohammad Bakri)—in charge of making the delivery of the goods: that is, the woman, her gown, and the invitations for the ceremony. Abu Shadi has returned home to Nazareth from Italy specially for the occasion, and the expatriate’s homecoming serves as an opportunity for all sorts of words to be exchanged between father and son—namely those that have been bottled up for so long, or at least since Shadi and Amal’s mother left them to pursue a love story in America.