Toronto International Film Festival
However you feel about Denis Villeneuve, you have to hand it to the Quebecois director: He knows how to start a film. His latest, Arrival, balances two significant, image-driven arcs in its first few minutes. The first concerns the tragically brief motherhood of linguistics professor Dr. Louise Banks (Amy Adams), who we see in a montage giving birth to a daughter and raising her all the way through the girl’s death as a teenager from a rare disease. The second shows the sudden appearance of UFOs in various corners of the globe, kicking off a worldwide frenzy of fear. Louise finds herself deputized into service by the military’s attempts to deal with the situation, brought in to try and decipher a language of guttural roars and hisses to facilitate communication between humans and aliens.