Fox Searchlight Pictures
Frances McDormand will all but certainly reap the benefit of staying true to form and eschewing the bulk of the Oscar campaigning playbook, thereby avoiding having to utter any defenses for Three Billboards Outside Ebbing, Missouri, unquestionably this year’s most #problematic awards contender. Sam Rockwell, conversely, has spent Oscar season staying true to himself and doing everything within his power to charm voters and please crowds. The results have been defter than even his ever-reliable fancy feet. He joked through his Golden Globes acceptance speech, admitting that after a career filled with indie films—and, you know, Charlie’s Angels—it was nice to be in something that people actually saw and thanking writer-director Martin McDonagh for “not being a dick.” He reasserted his renegade-outsider cred by dutifully clocking in at Studio 8H and then lacing one of his Saturday Night Live skits with an impromptu, live-TV four-letter word. He kept his tongue firmly planted in cheek even as he allowed a cardboard cutout of Agnès Varda to upstage him and everyone else at the Oscar nominees luncheon.