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Catherine E. Coulson (#110 of 3)

Twin Peaks: The Return Recap Part 15

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Twin Peaks: The Return Recap: Part 15

Showtime

Twin Peaks: The Return Recap: Part 15

Though it opens with the ecstatic consummation of one of Twin Peak’s longest-running thwarted love affairs, “Part 15” of Twin Peaks: The Return soon after plunges again into a nightmarish spectacle of self-destruction and shrieking madness. The episode also marks the most explicit reference yet to one of the show’s most poignant and haunting themes: the looming specter of ineluctable mortality. Oh, and David Bowie’s Phillip Jeffries finally makes an appearance (of sorts) in the form of a giant, steam-spewing teapot. Even better, we finally get to talk about Judy!

Twin Peaks: The Return Recap Part 10

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Twin Peaks: The Return Recap: Part 10

Suzanne Tenner/Showtime

Twin Peaks: The Return Recap: Part 10

In “The Marriage of Heaven and Hell,” William Blake wrote: “Without Contraries is no progression…Love and Hate are necessary to Human existence.” Last night’s installment of Twin Peaks: The Return illuminated the precarious balance between these two opposing forces, previously represented as overarching cosmic principles in “Part 8” but here embodied at the level of all-too-human experience in ways both touching and terrifying.

Twin Peaks: The Return Recap Part 3

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Twin Peaks: The Return Recap: Part 3

Suzanne Tenner/Showtime

Twin Peaks: The Return Recap: Part 3

The first 15 minutes of part three of Twin Peaks: The Return play like one of David Lynch’s hermetically sealed surrealist short films. Agent Cooper’s (Kyle MacLachlan) plunge through space-time comes to an abrupt end when he crash-lands on a rivet-studded metal balcony overlooking a dark purple sea. He enters a sparse, fire-lit room where a woman in a red dress with her eyes sealed shut signals alarm when something massive begins pounding on a metal door. She leads Cooper up a ladder, and they emerge atop a black metal cube that clearly must be bigger on the inside to contain all the spaces we’ve just traversed. Atop the cube stands a bell-shaped structure that the woman activates by throwing a lever, and at the cost of being cast off into the interstellar space that surrounds the cube.