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2014 Emmy Winner Predictions

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2014 Emmy Winner Predictions
2014 Emmy Winner Predictions

Glancing over this year’s Emmy nominations is to marvel again at just how much the television landscape has changed in 20 years. Back in 1993, The Larry Sanders Show became the first cable TV program to be nominated for an Emmy for Outstanding Comedy Series. Only one non-network sitcom has ever claimed that award (Sex and the City in 2001), but the sheer number of nominations and wins that cable programs garner each year continues to signal the future of television programming. And one of the more pressing questions that will be answered this year is whether the Emmys are ready to embrace online TV creators such as Netflix with prizes in its top two categories for either House of Cards, nominated for 13 awards, or Orange Is the New Black, nominated for 12, more than any other comedy. Elsewhere, the sense of “importance” with which Ryan Murphy’s The Normal Heart has been greeted by critics and audiences has made nearly ever miniseries or movie category a no-brainer to predict. And while the Emmys, unlike the Oscars, have never been known to drive pundits and viewers alike to fits of nail-biting anxiety, at least a few of this year’s drama races have been turned upside down by the recent plagiarism claims that have plagued Nic Pizzolatto, possibly exposing True Detective as the emperor who’ll arrive at the Nokia Theatre on August 25 with the least amount of clothes.

HBO’s Looking: It’s Not Gay Normalcy; It’s Aspirational Television

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HBO’s <em>Looking</em>: It’s Not Gay Normalcy; It’s Aspirational Television
HBO’s <em>Looking</em>: It’s Not Gay Normalcy; It’s Aspirational Television

“Find something real.” That’s the tagline stamped on the ads for HBO’s gay-centric series Looking, and, in the wake of the pilot episode, whether or not something real can be found depends on who you ask. Writing for BlackBook, Amanda Stern says this “essential new show” is “textured in something that feels a lot like reality,” and is “stripped of the self-conscious sexual referencing that reinforces stereotypes.” In a (hopefully) semi-satirical Esquire piece, which Salon’s Daniel D’Addario calls “astoundingly homophobic,” Mick Stingley (who is straight) suggests that Looking is too real for his desired comfort and entertainment levels, saying it “commits the heinous sin of being gay and boring,” and that its lack of “mincing” stereotypes results in “a portrayal of gay life [that’s] normal, tedious, and bland.”