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Pixar (#110 of 50)

Every Pixar Movie, Ranked from Worst to Best

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Every Pixar Movie, Ranked from Worst to Best

Walt Disney Studios Motion Pictures

Every Pixar Movie, Ranked from Worst to Best

Heavy on training montages and intergenerational torch passing, Cars 3 is an old-fashioned sports film at heart. Swap out the talking cars for boxers or baseball pitchers and Pixar’s latest would sit comfortably next to such films as Rocky Balboa and Trouble with the Curve, twilit dramas about a fading athlete struggling with age-old conundrums: how to know when to retire and how to do it with dignity. It’s the sort of counterintuitively mature theme that’s marked Pixar’s best output, but while Cars 3 may be the least objectionable entry in this series to date, it never hits the bittersweet emotional highs of films like Up and Toy Story 3. On the occasion of the film’s release, join us in revisiting the Pixar canon, ranked from worst to best.
 

Finding Nemo: Pixar’s Quiet Masterpiece

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Finding Nemo: Pixar’s Quiet Masterpiece
Finding Nemo: Pixar’s Quiet Masterpiece

Of all the feature films in Pixar’s impressive repertoire, Finding Nemo has arguably proven the most durable. The movie, which celebrated its 10th anniversary last month, is held in high favor critically and with audiences, but to some extent it’s also underappreciated, commonly regarded as an admirable, stalwart entry from the animation house. And yet, though it’s not a film that’s inspired the kind of rapturous following that The Incredibles or WALL-E have cultivated, Finding Nemo remains the heart and soul of the Pixar family of movies. It showcases a number of hallmarks for which the studio has become renowned, such as stunning technical bravura and smoothly elegant storytelling. But what distinguishes Finding Nemo from its studio brethren—and what makes it Pixar’s enduring classic to date—is its narrative accessibility and emotional directness.

At the time of its release, Finding Nemo was primarily heralded for its unparalleled pictorial beauty. Digital animation was still somewhat fresh at the time; just two years before, Shrek had introduced brand new possibilities in digital animation with its crisply rendered environments and characters that had scale and weight. Finding Nemo, by turn, was possibly the first full realization of those possibilities. I still remember seeing it in the theater and feeling completely engulfed by the colors, layers, and textures of the underwater world it fashions. Ten years later, the film still exudes an ethereal quality that’s seldom seen in today’s animation (which is a credit, also, to the deep musical and overall soundscape). But the abounding detail of the film’s visual design, from the scales on Nemo’s body to the speckles dancing in the foreground and background of every frame, is all the more astounding for how subtly it’s deployed.

Oscar 2013 Winner Predictions: Animated Feature

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Oscar 2013 Winner Predictions: Animated Feature
Oscar 2013 Winner Predictions: Animated Feature

With Pixar Animation Studios having won this award six out of eight times since the category’s inception back in 2001, conventional wisdom would suggest that Brave is a favorite to take this year’s prize. But Pixar’s reputation ostensibly took a major hit last year, when Cars 2 failed to even secure a nomination. And given how modestly the studio’s latest nominated feature has performed on the awards circuit up to this point, this year’s race may lend credence to the notion that the Pixar pedigree has seriously weakened. Though Brave is notable for being the only film in the Pixar canon with a female protagonist, offering a different take on the well-worn princess tale than we’re accustomed to from a Walt Disney property, the generally well-received film did take some slack upon release for its surprisingly conventional storytelling.