Though Ginger & Rosa is arguably Sally Potter’s best work to date, it’s certainly the English filmmaker’s most accessible. But that’s not to diminish her past experimental, more iconoclastic movies. Her previous work has clearly enriched this finely observed and affecting tale about two teenage girls coming of age in early-1960s Britain. Like Orlando, her adaptation of Virginia Woolf’s centuries-spanning novel which established her name internationally 20 years ago, there’s a strong female protagonist through whose POV the movie unfolds. We sense a deep personal involvement in the narrative, though not to the autobiographical extent of Potter’s The Tango Lesson, in which the director played herself. The formalist challenges she took on in the fashionista thriller Rage—comprised almost entirely of confessional close-ups—seem to have resulted in the huge emotional payoffs in the intimate scenes in the current film.