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Matthew Lillard (#110 of 4)

Twin Peaks: The Return Recap Part 11

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Twin Peaks: The Return Recap: Part 11

Suzanne Tenner/Showtime

Twin Peaks: The Return Recap: Part 11

Where last week’s episode of Twin Peaks: The Return brought intimations of encroaching darkness on a tide of unflinching violence and male brutality, last night’s installment divides its time pretty evenly between domestic drama, furthering the show’s overarching mythology, and an extended set piece of seriocomic pop surrealism. In a tidy structural parallel, “Part 11” opens with a pair of scenes that extend (and complicate) events from last week. The first reveals that eyewitness Miriam Sullivan (Sarah Jean Long) somehow survived Richard Horne’s assault and attempted assassination via makeshift gas-oven-and-candle explosive. It’s safe to say that Horne’s misdeeds will now see the light of day, setting up an inevitable showdown with the authorities that seems likely to end in a hail of bullets.

Twin Peaks: The Return Recap Part 9

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Twin Peaks: The Return Recap: Part 9

Suzanne Tenner/Showtime

Twin Peaks: The Return Recap: Part 9

Showtime gave viewers of Twin Peaks: The Return two weeks to process the epically unsettling excursion into cosmic tone poetry and splattery monochrome horror that constituted much of “Part 8.” It seems likely that, given the show’s fondness for delaying the connection of its many plot points, those events will only bear their strange fruit a few episodes further down the line. And so last night’s installment resolutely picked up where the previous episode’s present-day first act left off, with the miraculously resurrected but still blood-soaked Bad Dale (Kyle MacLachlan) hoofing it along a dusty country road, until a blood-red bandana shows him where to turn off.

Twin Peaks: The Return Recap Parts 1 & 2

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Twin Peaks: The Return Recap: Parts 1 & 2

Suzanne Tenner/Showtime

Twin Peaks: The Return Recap: Parts 1 & 2

Just like that gum you like, Twin Peaks is back in style. And that style is unadulterated, late-period David Lynch. Sometimes it’s the casting of seemingly minor parts, sometimes just a bit of stray imagery, but Lynch and co-creator Mark Frost somehow manage to evoke moments from Lost Highway and, in particular, Mulholland Drive at least as often as they do the original TV series, which ran on ABC from 1990 to 1991. The central irony of the first two parts of Twin Peaks: The Return is that the show thus far has relatively little to do with the town of Twin Peaks. Then again, if Lynch proved anything in past episodes like “May the Giant Be with You,” with its protracted nose-thumbing at audience expectations, it’s that he is indeed a fan of delayed gratification.

15 Famous Movie Fat Kids

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15 Famous Movie Fat Kids
15 Famous Movie Fat Kids

Matthew Lillard joins the ever-growing line of actors-turned-directors this weekend with Fat Kid Rules the World, an adaptation of KL Going’s young adult novel about a suicidal, 296-pound teen who finds salvation in rock music. Rising star Jacob Wysocki plays the beefy protagonist, bringing to life the kind of character who’s notoriously, historically sidelined. Cinema wasn’t always keen on putting plus-size players in front of the camera, but as the medium evolved, so did the exposure, and overweight characters, however often ridiculed, became the kind of scene-stealers viewers grow to love. It’s an archetype particularly common in kids movies, where the themes are as light-hearted as the bullies are nasty. See which cake-loving whippersnappers we corralled for this list, a celebration of the filmic fat kid.