House Logo
Explore categories +

Les Misérables (#110 of 31)

Oscar 2014 Winner Predictions: Sound Mixing

Comments Comments (...)

Oscar 2014 Winner Predictions: Sound Mixing
Oscar 2014 Winner Predictions: Sound Mixing

This past weekend, Gravity claimed the Live Action Film award for sound mixing from the Cinema Audio Society, one more precursor voting body whose results could prove prescient when it comes to Oscar’s March 2nd endgame. But, really, even if the CAS had tossed a lifesaver to Captain Phillips, or a dollar into the hopelessly lightweight guitar case of Inside Llewyn Davis, it still wouldn’t have changed our opinion that this statuette belongs to Alfonso Cuarón’s minimalist, outer space-set spectacle, which is poised to pick up more technical Oscars than any film since The Lord of the Rings: the Return of the King. Had the Coen brothers’ folksy ode to failure had more rafter-shaking pizazz (a la Les Misérables, Dreamgirls, and other musicals served well by this category), and had Captain Phillips had the hyperkinetic technical muscle of Paul Greengrass’s three-time Oscar winner The Bourne Ultimatum, there might be arguments worth having here. But there really seems to be no stopping Gravity’s craft-category onslaught, and its victories in the sound races in particular will prove that, in the cinematic silences of space, everyone can hear you scream, breathe, howl, “detach!” and hurtle toward rebirth.

On the Rise Aaron Tveit

Comments Comments (...)

On the Rise: Aaron Tveit

Universal Pictures

On the Rise: Aaron Tveit

Among the many young stars who’ve recently made the leap from stage to screen, like Spring Awakening’s Lea Michele and The Book of Mormon’s Andrew Rannells, Aaron Tveit finally seems to be having his well-deserved, medium-bridging moment. Already something of a revered superstar in the theater world, the prolific Tveit (pronounced te-vate) has been doing curtain calls for most of his life, including during his time at Ithaca College, when he won a role in the national tour of Rent. Then there was his turn as Link Larkin in the national tour of Hairspray, which, in 2006, yielded his Broadway debut. A role in the Three Musketeers came after, and then, in 2008, a now-celebrated performance as troubled son Gabe in Next to Normal, a Pulitzer-Prize winning work. There was a role in Wicked, a role in the musical version of Saved!, and in 2009, the landing of the coveted lead in Catch Me If You Can, the Broadway rendering of Steven Spielberg’s portrait of Frank Abagnale Jr. For playing the charming, jet-set conman, who wooed women out of their clothes when not shedding his own, Tveit, now 29, garnered nominations from the Outer Critics Circle and the Drama League, and was also up for a Fred Astaire trophy for Best Male Dancer on Broadway. He’d become an indisputable hotshot of the New York stage, and this was all before Tom Hooper came calling with an offer to star in last year’s Les Misérables.

Poster Lab: Before Midnight

Comments Comments (...)

Poster Lab: <em>Before Midnight</em>
Poster Lab: <em>Before Midnight</em>

The supposed capper to a richly rewarding trilogy, Richard Linklater’s Before Midnight already has plenty of critics buzzing, standing out as an early favorite for year-end top 10 lists. So it’s more than a little unsavory that of all the beguiled reviewers to turn to for poster quotes (and there are plenty), Sony Pictures Classics tapped the inescapable Peter Travers, a guy perpetually in line with the just-north-of-populist taste of awards bodies. On the film’s just-released poster, Travers’s praise reads as follows: “Before Midnight is one of the year’s best movies. Full to the brim with humor, heartbreak, and ravishing romance. Richard Linklater directs with ardor and artistry. Ethan Hawke and Julie Delpy shine brilliantly. Heads up, Oscar. This one’s a keeper.” Now, anyone who knows anything about film publicity will quickly gather that the strategy here can be traced straight to that keyword: “Oscar.” Travers has long been known as an utterly shameless blurb whore, filling his reviews with Academy-courting nuggets, and that FYC turn of phrase surely landed him prime real estate here. But, really, Sony Pictures Classics should know better than to resort to such—in laughably alliterative, Travers-esque terms—baldfaced buffoonery. This is an exceedingly classy film with a handsome poster to boot. And since Linklater and stars Julie Delpy and Ethan Hawke netted an Original Screenplay nod for 2004’s Before Sunset, surely their next installment is already on the Academy’s radar. Couldn’t a more articulate endorsement have been chosen to grace the ad for this ultra-articulate movie?

Oscar 2013 Composite Winner Predictions

Comments Comments (...)

Oscar 2013 Composite Winner Predictions
Oscar 2013 Composite Winner Predictions

Below is a complete list of our predicted winners at the 2013 Academy Awards.

Picture: Argo
Director: Ang Lee, Life of Pi
Actor: Daniel Day-Lewis, Lincoln
Actress: Jennifer Lawrence, Silver Linings Playbook
Supporting Actor: Tommy Lee Jones, Lincoln
Supporting Actress: Anne Hathaway, Les Misérables
Original Screenplay: Amour
Adapted Screenplay: Lincoln
Foreign Language: Amour
Documentary Feature: Searching for Sugar Man
Animated Feature Film: Wreck-It Ralph
Documentary Short: Open Heart
Animated Short: Head Over Heels
Live Action Short: Curfew
Film Editing: Argo
Production Design: Anna Karenina
Cinematography: Life of Pi
Costume Design: Anna Karenina
Makeup: The Hobbit: An Unexpected Journey
Score: Life of Pi
Song: “Skyfall,” Skyfall
Sound Editing: Life of Pi
Sound Mixing: Les Misérables
Visual Effects: Life of Pi

Oscar 2013 Winner Predictions: Picture

Comments Comments (...)

Oscar 2013 Winner Predictions: Picture
Oscar 2013 Winner Predictions: Picture

Despite the hysteria, it may not be appropriate yet to call a time of death on the decades and decades’ worth of precedent that will be shattered when Argo wins Best Picture despite very conspicuously not being nominated for its director, not having even remotely close to the year’s highest nomination tally (it trails behind four other films), and not having even a halfway plausible shot at winning more than two other categories aside from this one. After all, there’s still one tradition working in the movie’s favor. It’s going to win the all-important Oscar for Best Editing, some would say for how exhilaratingly it crosscuts between a grim interrogation at a Mehrabad Airport checkpoint, Walter White barking out commands in D.C., and Alan Arkin and John Goodman being humorously cockblocked from answering their telephone by archetypal union (i.e. guild) workers, whereas others would say for how ruthlessly it edits out any historical perspective that doesn’t turn the Iranian populace into swarthy pod people.

Oscar 2013 Winner Predictions: Sound Mixing

Comments Comments (...)

Oscar 2013 Winner Predictions: Sound Mixing
Oscar 2013 Winner Predictions: Sound Mixing

It’s at this point we had to ask ourselves, “Is Argo really going to end up a two-Oscar Best Picture winner?” Because while it seems almost certain to buck all sorts of precedent and take Best Picture, which of its six other nominations will be there to back it up? Honestly, the way things have been developing among the guild awards, the only nod that seems entirely out of reach is Alan Arkin’s bid for supporting actor. We’ll cover Best Editing in the next few days, but the movie still seems more of a spoiler than a frontrunner for original score and adapted screenplay*. In theory, that leaves Argo’s two sound bids to prevent the movie from achieving a dubious feat not achieved since Cecil B. DeMille’s The Greatest Show on Earth. Some of us are going to hedge on our Oscar-pool ballots and give Argo one or both of them, but unless the topsy-turviness of the race infects every category, both it and Lincoln seem to lack the “bigness” this category seems to require.

Oscar 2013 Winner Predictions: Costume Design

Comments Comments (...)

Oscar 2013 Winner Predictions: Costume Design
Oscar 2013 Winner Predictions: Costume Design

Okay, so, this isn’t a tough one exactly, but it bears mentioning that one of the two times we’ve gotten this category wrong was when we disregarded the almost always reliable frilliest-always-wins rule and allowed ourselves to be stupidly blinded by Keira Knightley’s emerald green dress from Atonement. (Our only other faux pas—not calling it for The Artist last year—is perhaps more easily explained, as the Best Picture winner clearly benefited from every other nominee’s ostentatious yards of silk drowning each other out.) Now, here we are calling it for more Knightley-donned couture by Jacqueline Durran, this time from Joe Wright’s uneven but oft-deliciously unhinged Anna Karenina, whose four tech nods more than suggest that feelings for this most purple of cinematic adaptations of Leo Tolstoy’s classic tome are more amorous than the Academy’s regard for Anonymous, W.E., and Jane Eyre, each of which received their sole Oscar nominations in this category last year. If the showy grime of Hugo’s Silent Film Era Street Urchin Collection couldn’t seal the deal last year, as we thought it would, we have to rule out Les Misérables and Lincoln’s infinitely grayer lines. Charlize Theron truly rocks Colleen Atwood’s trannie-fierce gowns for Snow White and the Huntsman, but it’s the other Snow White movie in the category, Tarsem’s Mirror Mirror, that could steamroll over Anna Karenina, and not just because its costumes are as gorgeously elaborate, but also because they were designed by the deceased Eiko Ishioka, a previous Oscar winner for Francis Ford Coppola’s Bram Stoker’s Dracula.

Will Win: Anna Karenina

Could Win: Mirror Mirror

Should Win: Anna Karenina

Oscar 2013 Winner Predictions: Production Design

Comments Comments (...)

Oscar 2013 Winner Predictions: Production Design
Oscar 2013 Winner Predictions: Production Design

Permit me a small indulgence. Every time I consider this category, the voice of The Chipmunk Adventure’s Miss Miller pops into my head, singing, “C’mon a my house, my house a c’mon.” I mean, she sings that during other major portions of my life, but in particular whenever I’m compelled to muse about which cinematic domiciles gave voters not just next year’s primary mood board for remodeling the breezeway, but also an apple and a plum and an apricot too. Unfortunately, The Queen of Versailles wasn’t technically eligible this year, so I’m forced to speculate as to what likely served as first runner up. Since it’s hard to imagine anyone wanting to add the cast of The Hobbit: An Unexpected Journey to the guest list for their progressive party, scratch that one from the list first.