House Logo
Explore categories +

The Big Wedding (#110 of 5)

The Worst Movie Posters of 2013

Comments Comments (...)

The Worst Movie Posters of 2013
The Worst Movie Posters of 2013

Movie poster design probably isn’t as lost an art as many claim it to be, but every year, countless audience-insulting ads arrive to support the theories of the doomsday crowd. Granted, there are plenty of tossed-together one-sheets out there that are easy targets for criticism, but none ticked off this poster lover like the doozies included here. From glaring dependence on star power to the dreaded sliver formula, these design snafus are the ones that made you want to pull a Banksy at the multiplex, whipping out your Krylon can and doing a little defacing, if only to counteract the woes of daft commercialism.

Poster Lab: You’re Next

Comments Comments (...)

Poster Lab: <em>You’re Next</em>
Poster Lab: <em>You’re Next</em>

Lionsgate sure has been having its fun with the poster campaign for You’re Next, the latest horror thriller from Adam Wingard, who most recently took part in the anthology sequel V/H/S/2, Rex Reed’s favorite film of the summer. The studio first released a trio of your typical, grainy, bathroom-wall-scratchiti one-sheets, with the film’s animal-mask-wearing killers glaring at the viewer, accompanied by blood stains and an overall aesthetic that’s been rampant in this genre since Se7en’s opening credits. But then, Lionsgate unleashed what I first thought was a coincidence of bus-stop-ad overlap: The superimposition of those masked killers on posters for the studio’s other films.

Therefore, it was no accident that the chipper group shot of the stars of The Big Wedding had a machete-wielding wolf crashing the party. Or that the nice quadrant poster of the Tyler Perry-produced Peeples was graced with the presence of an ax-toting sheep. I’ve heard of subliminal advertising, but this is just…bloody hilarious.

Summer of ‘88: Short Circuit 2

Comments Comments (...)

Summer of ‘88: <em>Short Circuit 2</em>
Summer of ‘88: <em>Short Circuit 2</em>

Hollywood has rightfully made a big show of distancing itself from its blackface legacy, a tradition that stretched from the full-tilt racism of The Birth of a Nation all the way to Laurence Olivier’s 1965 version of Othello, not to mention the grotesque caricatures many black performers were forced to inhabit. But surprisingly little mention is made of brownface, the equally unpleasant practice of having white actors creep a few shades darker than usual, donning bronzer or maybe just getting a serious tan, in order to portray Latin, Native American, or Asian characters. Maybe it’s because it’s still going on to this day (seen recently in The Big Wedding and currently with Johnny Depp’s turn as Tonto in The Lone Ranger, although rarely in as baldly ill-advised fashion as in Short Circuit and it’s 1988 sequel, which finds Fisher Stevens going Sub-Continental as Indian robotics engineer Ben Jahveri, Quik-E-Mart accent, goofy mannerisms, and all. Putting aside the fact that most modern-day portrayals of Indians still haven’t moved very far beyond these rote stereotypical trappings, the film’s cartoon presentation of this character seems alien to an otherwise open-minded, tender movie, its kid-aimed messages on the fragility of life and the importance of acceptance backed up by surprisingly solid filmmaking.

15 Famous Big Weddings

Comments Comments (...)

15 Famous Big Weddings
15 Famous Big Weddings

This weekend, multiplexes will be hit with what’s surely aiming to be the Valentine’s Day of wedding flicks. Directed by Justin Zackham, The Big Wedding packs Robert De Niro, Susan Sarandon, Diane Keaton, Katherine Heigl, Robin Williams, and more into a cast that’s led my Amanda Seyfried and Ben Barnes as the bride and groom. The titular celebration calls to mind a whole lot of substantial cinema nuptials, which stretch from good to great, and occur within chick flicks and masterpieces. We’ve rounded up 15 movie weddings that—aw, hell—take the cake.

Poster Lab: The Big Wedding

Comments Comments (...)

Poster Lab: <em>The Big Wedding</em>
Poster Lab: <em>The Big Wedding</em>

It would appear that one of the biggest challenges facing movies with huge, starry casts is getting all the actors together to shoot the poster image. Like New Year’s Eve before it, the treacly-looking ensemble comedy The Big Wedding comes with a one-sheet whose pretty faces couldn’t look more disparate. The designers thankfully avoided the dreaded grid approach, but one wonders if a paper-doll Photoshop assemblage is even worse. As the central couple, whose pre-marriage plight involves conflicts too tired and dull to mention, Amanda Seyfried and Ben Barnes are perhaps the only two actors who genuinely seem to have been photographed together. A case could also be made for Susan Sarandon and Robert De Niro (who, like their younger costars, have the credibility factor of joined hands), but there’s still something vexingly posed, airbrushed, and artificial about their shared moment, as if even the laughs were digitally grafted.

Everyone else may just as well be on another planet, especially Diane Keaton, whose halfhearted smile and overall bemused awkwardness support the notion that she’s in fact prepping for her latest L’Oréal Paris ad. The one star whose directional gaze seems appropriate is Christine Ebersole, who offers an uncomfortable sneer while eyeing up the crackpots to her left. Also the only actor to not receive billing, Ebersole almost looks relieved to have been kept at a certain remove, and she plays viewer surrogate as she bitingly judges the mess in her midst.