Coming Up In This Column: Argo, The Sessions, Cloud Atlas, Seven Psychopaths, The Conspirators, The Racket (1951), but first…
Fan Mail: David Ehrenstein thought I was getting too much into the mise-en-scene of The Master, but I read the item again and I don’t think so. There are many other items over the years that you say that about, but most of the material in the Master item is about story, character and themes. In other words, the stuff that writers contribute.
Since David is such a devoted reader of this column and asked that I tell the story of my meeting with Roman Polanski and Sharon Tate, here it is. It was the fall of 1967 and I had just started graduate school at UCLA. I would take our 2-½ year old daughter out on Sundays so my wife could clean the house. One Sunday we were on the beach just north of the Santa Monica Pier. I was carrying my daughter on my shoulders, and a beautiful woman came up to gush about how pretty my daughter was. As we were talking I noticed off to her right was a little guy who was drawing a large dragon in the sand. What was so interesting was that he was drawing it with great loops right near the water’s edge. As the waves came in, they would cut the dragon into pieces. When he was satisfied with that, he turned to the beautiful woman. I realized then he was Roman Polanski and she was Sharon Tate. Of course Polanski would draw a dragon that the ocean would dismember, and of course Tate would be interested in kids. She got pregnant a year or so later, but as we all know, that ended badly.
Argo (2012. Screenplay by Chris Terrio, based on the article “How the C.I.A. Used a Fake Sci-Fi Flick to Rescue Americans from Tehran,” listed in the credits as “Escape from Tehran,” by Joshuah Bearman. The credits in the film also list another source as well, but I did not write it down, the IMDb does not have it, and I have been unable to locate it anywhere else. 120 minutes.)
No superheroes: No one in this film wears their underwear outside their clothes. Nobody wears a cape. Nobody wears an iron suit. Nobody flies, except on an airplane. And Adam Sandler, Andy Samberg, Paul Dano and Jesse Eisenberg don’t appear anywhere in the picture. This movie is about real adult human beings doing exciting stuff. It is a more or less true story. See the Wikipedia entry here for all the quibbles by different people about its accuracy, but, hey folks, we’re making a movie here. “Hey folks, etc” means the writer is taking the real material and shaping it into a script. That’s what writers do. The film is about the rescue of six American Embassy personnel who escaped from the Tehran embassy during its takeover in November 1979. With all of that, as you might expect, I was very much looking forward to seeing this.