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Eiko Ishioka (#110 of 2)

Oscar 2013 Winner Predictions Costume Design

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Oscar 2013 Winner Predictions: Costume Design
Oscar 2013 Winner Predictions: Costume Design

Okay, so, this isn’t a tough one exactly, but it bears mentioning that one of the two times we’ve gotten this category wrong was when we disregarded the almost always reliable frilliest-always-wins rule and allowed ourselves to be stupidly blinded by Keira Knightley’s emerald green dress from Atonement. (Our only other faux pas—not calling it for The Artist last year—is perhaps more easily explained, as the Best Picture winner clearly benefited from every other nominee’s ostentatious yards of silk drowning each other out.) Now, here we are calling it for more Knightley-donned couture by Jacqueline Durran, this time from Joe Wright’s uneven but oft-deliciously unhinged Anna Karenina, whose four tech nods more than suggest that feelings for this most purple of cinematic adaptations of Leo Tolstoy’s classic tome are more amorous than the Academy’s regard for Anonymous, W.E., and Jane Eyre, each of which received their sole Oscar nominations in this category last year. If the showy grime of Hugo’s Silent Film Era Street Urchin Collection couldn’t seal the deal last year, as we thought it would, we have to rule out Les Misérables and Lincoln’s infinitely grayer lines. Charlize Theron truly rocks Colleen Atwood’s trannie-fierce gowns for Snow White and the Huntsman, but it’s the other Snow White movie in the category, Tarsem’s Mirror Mirror, that could steamroll over Anna Karenina, and not just because its costumes are as gorgeously elaborate, but also because they were designed by the deceased Eiko Ishioka, a previous Oscar winner for Francis Ford Coppola’s Bram Stoker’s Dracula.

15 Famous Movie Vampire Hunters

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15 Famous Movie Vampire Hunters
15 Famous Movie Vampire Hunters

For high-concept, lowbrow thrills, your hot ticket this weekend is surely Abraham Lincoln: Vampire Hunter, Timor Bekmambetov’s visualization of Seth Grahame-Smith’s why-the-hell-not novel, which reimagines that most benevolent president as a part-time vamp vanquisher. The revisionist actioner may not be bound for the bloodsucker canon, but its lead character proudly continues a surprisingly prevalent filmic trend: that of the hero whose key duty is to pound a proverbial stake through the heart of evil. From Blade to Buffy, we’ve always needed fearless soldiers to battle creatures of the night, and to make sure that the only thing Dracula and company are biting is the dust.