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Rebellion (#110 of 1)

The San Francisco International Film Festival 2012: Alps, The Day He Arrives, The Sheik and I, Twixt, & More

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The San Francisco International Film Festival 2012: <em>Alps</em>, <em>The Day He Arrives</em>, <em>The Sheik and I</em>, <em>Twixt</em>, & More
The San Francisco International Film Festival 2012: <em>Alps</em>, <em>The Day He Arrives</em>, <em>The Sheik and I</em>, <em>Twixt</em>, & More

Rounding out its 55th year, the generally celebratory San Francisco International Film Festival seemed to open on a melancholy note, with the deaths of two illustrious film-culture stalwarts still fresh in the memories of local cinephiles: Graham Leggat, who had since 2005 been the San Francisco Film Society’s executive director, succumbed to cancer last year; and Bingham Ray, a veteran force in the indie circuit who’d agreed to take over the position, passed away in January at the Sundance Film Festival. Just as Nietzsche envisioned art as “the redeeming, healing enchantress” that could confront despair, it was up to cinema then to alleviate the event’s potentially mournful mood. Indeed, the titles chosen to pay tribute to the two men—Benoit Jacquot’s unusual Versailles-set drama Farewell, My Queen, which opened the festival in dedication to Leggat, and Carol Reed’s sardonic 1949 masterpiece The Third Man, reportedly Ray’s all-time favorite film—served as reminders not only of SFIFF’s characteristically eclectic selection, but also of its dedication to acknowledging the medium’s past while steadfastly gazing ahead for discoveries.