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Game of Thrones Recap Season 7, Episode 7, “The Dragon and the Wolf”

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Game of Thrones Recap: Season 7, Episode 7, “The Dragon and the Wolf”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 7, “The Dragon and the Wolf”

At the start of “The Dragon and the Wolf,” the season-seven finale of Game of Thrones, the lengthy Dragonpit meeting between Cersei Lannister (Lena Headey) and Daenerys Targaryen (Emilia Clarke) and their respective alliances reestablishes relationships and reminds us of long-simmering feuds with nothing more than a few brief conversations and glances. Jon Snow (Kit Harington) warily assesses Cersei while Euron Greyjoy (Pilou Asbæk) violently dismisses his nephew, Theon (Alfie Allen). Meanwhile, the dishonored Jaime Lannister (Nikolaj Coster-Waldau), unsurprisingly, finds it difficult to make eye contact with Brienne of Tarth (Gwendoline Christie). With the exception of the moment that Sandor Clegane (Rory McCann) rolls a wight out of its makeshift prison, the entire sequence is notable for how it sees the episode zigging away from the spectacle that has increasingly defined this season and toward the show’s once-stubborn obsession with the art of diplomacy.

Game of Thrones Recap Season 7, Episode 6, “Beyond the Wall”

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Game of Thrones Recap: Season 7, Episode 6, “Beyond the Wall”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 6, “Beyond the Wall”

Far sooner than most of us probably expected, “Beyond the Wall,” the penultimate episode of Game of Thrones’s seventh season, sees Daenerys Targaryen’s (Emilia Clarke) dragons doing battle with an army of White Walkers. It’s an action-packed moment, for sure, but its sense of thrill is ultimately unearned. Given how hard the series has worked to establish not only the stakes of Jon Snow’s (Kit Harington) mission, which supposedly only he could carry out, but also the terror of the creatures beyond the wall (who seemed unstoppable in “Hardhome”), it’s almost ludicrous how Daenerys simply swoops down out of nowhere to save the day. There’s no handwringing about who might die here, and in contrast to “The Spoils of War,” which strikingly invited our sympathy for those on both sides of the skirmish at the episode’s climax, “Beyond the Wall” simply offers up a battle between CGI dragons and CGI zombies, to pulpy effect but no moral consequence.

Game of Thrones Recap Season 7, Episode 5, “Eastwatch”

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Game of Thrones Recap: Season 7, Episode 5, “Eastwatch”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 5, “Eastwatch”

“Eastwatch” picks up exactly where the last episode of Game of Thrones left off, with Bronn (Jerome Flynn) fishing Jaime Lannister (Nikolaj Coster-Waldau) out of a river, and marks a turning point for the series, as it finally fully embraces its fantasy. To this point, Game of Thrones has carefully rooted itself in medieval lore and tactics (dragons-as-nuclear-bombs notwithstanding), but “Eastwatch” feels more like a heist movie than what’s come before. To some extent, this is a result of the ever-accelerated pacing: The journey is no longer shown, only the destinations, and character re-introductions are distilled into essential quips and action. But more importantly, it’s an episode that dials back from the epic confrontations that have filled out the majority of this season, choosing instead to focus on eight brave individuals and their almost certainly hopeless quest.

Game of Thrones Recap Season 7, Episode 1, “Dragonstone”

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Game of Thrones Recap: Season 7, Episode 1, “Dragonstone”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 1, “Dragonstone”

Whenever Jon Snow (Kit Harington), the newly minted King of the North, seeks guidance, he thinks back to the words of his deceased father, Ned Stark. When it comes to whether he should punish the disloyal houses of Karstark and Umber, who fought against his rightful rule in last season’s Game of Thrones episode “Battle of the Bastards,” he chooses not to hold the children responsible for the mistakes of their parents, and bulldozes his way past the more vengeful desires of his sister, Sansa Stark (Sophie Turner). Yes, Cersei Lannister (Lena Headey) has seized control of King’s Landing and summons Jon to take a knee before her, and yes, Daenerys Targaryen (Emilia Clarke) has finally returned to her ancestral home at Dragonstone, but “Yesterday’s wars don’t matter anymore,” Jon announces. Winter is here, women and children will learn to fight alongside men—a prospect fully backed by the fiery young Lyanna Mormont (Bella Ramsey)—and gold is irrelevant. Only dragonglass (and Valyrian steel) can slay the marching armies of the dead.

Game of Thrones Recap Season 6, Episode 10, "The Winds of Winter"

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Game of Thrones Recap: Season 6, Episode 10, “The Winds of Winter”

HBO

Game of Thrones Recap: Season 6, Episode 10, “The Winds of Winter”

The first three minutes of this week’s season finale of Game of Thrones set a somber mood—and with not a single word uttered, just the ominous tolling of a bell. That’s because words are somewhat beside the point. The trial of Cersei (Lena Headey) and Loras Tyrell (Finn Jones) has begun, and if one believes the High Sparrow (Jonathan Pryce), everything about this moment has been predestined. And so director Miguel Sapochnik wisely echoes that sense of fate, orchestrating every shot to the gradual crescendo of a classical choir, and providing hawkeyed viewers with an abundance of foreshadowing.

Game of Thrones Recap Season 6, Episode 8, "No One"

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Game of Thrones Recap: Season 6, Episode 8, “No One”

HBO

Game of Thrones Recap: Season 6, Episode 8, “No One”

Jaime Lannister (Nikolaj Coster-Waldau) isn’t a good person, but neither is he the villain that his prisoner, Edmure Tully (Tobias Menzies), thinks he is. When Edmure asks how Jaime can sleep at night, his answer is simple: He loves his sister, Cersei, and he would do anything to be with her. Though there’s clearly at least one other soft spot in his heart, as he allows Brienne of Tarth (Gwendoline Christie) to escape from his siege of Riverrun, he claims nothing else matters to him, which means that all of his violence is justified. His terms to Edmure are just as straightforward: If he wants to stop Jaime from taking his infant son and launching him into Riverrun via catapult, he will seize control of the castle as its rightful lord, and force his uncle, Brynden “Blackfish” Tully (Clive Russell), and his men to surrender. With such a personal threat, there’s no hesitation from Edmure, though he knows he condemns at least his uncle to death, and this gives truth to Jaime’s worldview: Nobody is evil, they’re just differently intentioned.

Tribeca Review: Slow West

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Tribeca Review: <em>Slow West</em>
Tribeca Review: <em>Slow West</em>

Slow West is a photogenic trifle about a Scottish teen traveling through the rugged, dangerous terrain of frontier America in 1870 looking for his runaway love and her father. It begins with a “once upon a time,” which instantly gives writer-director John Maclean’s western the secret air of a fairy tale. Indeed, as Jay Cavendish (Kodi Smit-McPhee) lies on his back and stares at the stars, which twinkle as he pretends to shoot them with his gun, there’s a sense of him as a little prince who’s left the safety of some far-off land in search of adventure, or to fulfill some fabulously preordained destiny. Silas Selleck (Michael Fassbender), who narrates Jay’s conventional story with the sort of regard that suggests he thinks it will be of value to someone in the future other than himself, meets him deep in Colorado and becomes the young man’s protector against the elements and wolves who appear to them in sheep’s clothing—literally so in the case of one particularly colorful bounty hunter, Payne (Ben Mendelsohn). It’s a fable that makes the unexceptional appear slightly off-kilter through fussy artifice, and programmatically marches toward a bloody climax whose only true, if scarcely resplendent, surprise is its denial of a conventional happily ever after.

Game of Thrones Recap Season 4, Episode 10, "The Children"

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Game of Thrones Recap: Season 4, Episode 10, “The Children”

HBO

Game of Thrones Recap: Season 4, Episode 10, “The Children”

Contrary to the structure of most serial television, Game of Thrones tends to peak with its penultimate episode, leaving finales open to operate as a form of self-summary. They take stock of the dead, consider the implications of arc climaxes, and anticipate how characters will move forward in the subsequent season. This structure fits with the mission statement of George R. R. Martin’s books: to dispel the orthodox narratives and tone of fantasy to consider how magic and dragons might impact something closer to medieval history and anthropology.

Game of Thrones Recap Season 4, Episode 7, "Mockingbird"

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Game of Thrones Recap: Season 4, Episode 7, “Mockingbird”

HBO

Game of Thrones Recap: Season 4, Episode 7, “Mockingbird”

“Brilliant speech,” Jaime (Nikolaj Coster-Waldau) says with fatalistic sarcasm amid berating Tyrion (Peter Dinklage) for the show-stopping speech he gave at the end of the previous episode. Doubly mad at his brother for spurning the deal he brokered with their father, Tywin (Charles Dance), for Tyrion’s life, and himself for not realizing that the deal is what Tywin wanted all along, Jaime can only begrudgingly accept Tyrion’s line of thinking while throwing up his hands at the hopelessness of any action. As an introduction, it stands out as bleak even for a season that now occurs almost entirely in shadow.

Game of Thrones Recap Season 4, Episode 3, "Breaker of Chains"

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Game of Thrones Recap: Season 4, Episode 3, “Breaker of Chains”

HBO

Game of Thrones Recap: Season 4, Episode 3, “Breaker of Chains”

Joffrey’s death last week on Game of Thrones stood out from the show’s many past fatalities in that it marked the first time a major character’s demise prompted celebration rather than simply shock. So rapturously received was Joffrey’s demise that some even took to finger-wagging over the glee, casting aspersions on those who would revel in the death of a minor, even a fictional one who made a number of Russian tsars look well-balanced in comparison. But as “Breaker of Chains” demonstrates within its first 10 minutes, even Joffrey’s own family cannot muster much bereavement for the departed king. Standing over the boy’s posed corpse in a private chamber, Tywin (Charles Dance) tells the next in line for the throne, Joffrey’s younger brother, Tommen (Dean-Charles Chapman), that Joffrey was not a wise or good king, and that his unfitness for rule contributed to his present state. For his part, Tommen appears far more nervous at being quizzed by his grandfather than he does standing over his brother’s prepared body.