Cannes Film Festival
Eva Husson’s Girls of the Sun is a politically righteous and timely film, with a strong lead performance by Iranian actress Golshifteh Farahani as Bahar, the leader of an all-female peshmerga fighter battalion bravely fighting ISIS in Kurdistan. But the film also has the dramatic finesse of a sledgehammer: Its most emotionally charged moments buckle under the weight of a ceaseless and manipulative score, and its disorganized and distracting flashback structure tries to contextualize the horrors and humiliations endured by Bahar but does so at the expense of narrative momentum.
Look past the film’s baggy structure and clumsy dialogue and there’s a good deal of tough, spatially coherent action direction on display. As Husson is adept at crafting artfully abstracted images in isolated moments, it’s easy to imagine the more sturdy, brisk, and visually compelling film Girls of the Sun might have been had at least 40 minutes been shaved from its running time.