Fox Searchlight Pictures
Part Coen brothers and part James L. Brooks, Alexander Payne makes comedies about serious stuff like abortion and midlife crises. His characters may verge on caricature and his scripts on contrivance, but nuanced acting and lingering close-ups make their emotions feel vividly, even painfully real.
His best film since Election, aside from the segment he directed for Paris Je T’aime, The Descendants is based on a novel written by a young woman, Kaui Hart Hemmings, which may explain why the two girls in the story feel so well-rounded. But then, Payne has always gravitated toward interestingly prickly female characters, from the glue-sniffing title character of Citizen Ruth to Election’s endlessly ambitious Tracy Flick and the impetuous biker played by Sandra Oh in Sideways.
The main women in this story are Matt King’s (George Clooney) wife, Elizabeth (Patricia Hastie), and the couple’s two daughters, 10-year-old Scottie (Amara Miller) and 17-year-old Alex (Shailene Woodley), both of whom are acting out like crazy as the story begins. Elizabeth never speaks a word (we see her first as a gigantic face filling the screen with delight as she rides in a speeding motorboat, then as a comatose husk of a body in a hospital bed), but we get a pretty good sense of her through the things other people say about her—and to her as she lies there, a pale slate for other people to scrawl their emotions on.