1. ”Reverse Shot’s Best of 2014.” Below is Ashley Clark on their best in show, Richard Linklater’s Boyhood.
“Without wishing to indulge in hyperbole, the real miracle of Richard Linklater’s Boyhood—a moving, intimate family drama shot in small chunks with the same core cast over a period of twelve years—is not simply that its audacious concept was ushered through to completion. (Ellar Coltrane, who plays Mason, the youngster at the center of the film, could have at any moment decided the acting life wasn’t for him, and effectively scuppered the enterprise.) Rather, it’s the unshakable faith that Linklater has invested in stillness, subtlety, and—whisper it—banality, as a pathway to emotional resonance. Think about it: how many other directors would make a film over the same period and resist the temptation to shore up the intimidatingly diffuse timeline with dramatic clichés, coming-of-age touchstones (for instance, young Mason’s hilariously perplexed reaction to a pair of locker-room douchebag bullies), and actorly pyrotechnics? Save for one spectacular, alcohol-fueled family blowout, Boyhood is comprised of hushed, beautifully observed interactions that cut across generational lines, performed with grace and restraint by underrated actors like Patricia Arquette and Ethan Hawke, who both shine as Mason’s separated parents.”